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Western Bias, Canonicity, and Cultural Globalization: Introduction to “Jazz Diasporas”
16 references·0 citing·34 second hop
Western Bias, Canonicity, and Cultural Globalization: Introduction to “Jazz Diasporas” (2022)Western Bias, Canonicity, and Cultural Gl…The Postcolonial Studies Reader (2024)The Postcolonial Studies Read…"The Evolution of Jazz in Britain, 1880�1935 " (2017)"The Evolution of Jazz in Bri…Jazz Diasporas (2016)Jazz DiasporasJazz and Totalitarianism (2016)Jazz and TotalitarianismA decolonial critique of diaspora identity theories and the notion of superdiversity (2015)A decolonial critique of dias…French Music and Jazz in Conversation (2014)French Music and Jazz in Conv…Is jazz dead?: (or has it moved to a new address) (2006)Is jazz dead?: (or has it mov…The Cambridge Companion to Jazz (2003)The Cambridge Companion to Ja…The African diaspora: a musical perspective (2003)The African diaspora: a music…Continuum encyclopedia of popular music of the world (2003)Continuum encyclopedia of pop…Jazz Cultures (2002)Jazz CulturesBlue Nippon (2001)Blue NipponSaying something: jazz improvisation and interaction (1997)Saying something: jazz improv…The Black Atlantic: Modernity and Double Consciousness (1995)The Black Atlantic: Modernity…Thinking in Jazz (1994)Thinking in JazzDifferent Drummers: Jazz in the Culture of Nazi Germany (1993)Different Drummers: Jazz in t…Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)The Wretched of the Earth (2000)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Introduction: rethinking integration. New perspectives on adaptation and settlement in the era of super-diversity (2017)Against ‘immigrant integration’: for an end to neocolonial knowledge production (2018)Superdiversity (2022)The London Philharmonic Discography (1997)Classification as Culture: Types and Trajectories of Music Genres (2008)Precarious Creativity: Global Media, Local Labor (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies (2004)The Weapons of Our Warfare: Music, Positionality, and Transcendence Among Haitian Pentecostals (2008)The Cambridge Companion to Percussion (2016)Im/plausible deniability: racism's conceptual double bind (2004)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)South Asian Women in East London (2000)American Literature, World Literature (2017)The Cambridge Companion to Transnational American Literature (2017)Landing on the Wrong Note: The Price We Paid for Brown (2004)Communities of practice in the conservatory: learning with a professional musician (2015)Informal in formal: The relationship of informal and formal learning in popular and jazz music master workshops in conservatoires (2015)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music1 (2003)Semiotic Dimensions of Creativity (2014)The Black Pacific: Music and Racialization in Papua New Guinea and Australia (2014)Dead Geographies—And How to Make Them Live (2000)Group creativity: musical performance and collaboration (2006)Music and the materialization of identities (2011)A postcolonial and anti-colonial reading of ‘African’ leadership and management in organization studies: tensions, contradictions and possibilities (2011)Literature and Disability (2015)Unpacking the local turn in peacebuilding: a critical assessment towards an agenda for future research (2015)
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References

  • 1994Thinking in Jazz1,018 cited
  • 1997Saying something: jazz improvisation and interaction792 cited
  • 2024The Postcolonial Studies Reader761 cited
  • 2003The African diaspora: a musical perspective151 cited
  • 2002Jazz Cultures142 cited
  • 2001Blue Nippon141 cited
  • 2003Continuum encyclopedia of popular music of the world125 cited
  • 2015A decolonial critique of diaspora identity theories and the notion of superdiversity113 cited
  • 1995The Black Atlantic: Modernity and Double Consciousness105 cited
  • 1993Different Drummers: Jazz in the Culture of Nazi Germany101 cited
  • 2017"The Evolution of Jazz in Britain, 1880�1935 "92 cited
  • 2016Jazz and Totalitarianism74 cited
  • 2016Jazz Diasporas64 cited
  • 2014French Music and Jazz in Conversation58 cited
  • 2006Is jazz dead?: (or has it moved to a new address)58 cited
  • 2003The Cambridge Companion to Jazz54 cited

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