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Studying Saraha: Technical and Multi-Analytical Investigation of the Painting Materials and Techniques in an 18th Century Tibetan Thangka
16 references·1 citing·36 second hop
Studying Saraha: Technical and Multi-Analytical Investigation of the Painting Materials and Techniques in an 18th Century Tibetan Thangka (2022)Studying Saraha: Technical and Multi-Anal…A multi-scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies (2021)A multi-scalar investigation …Combination of noninvasive imaging techniques to characterize pigments in Buddhist thangka paintings (2020)Combination of noninvasive im…Compositional and Micro-Morphological Characterisation of Red Colourants in Archaeological Textiles from Pharaonic Egypt (2019)Compositional and Micro-Morph…Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Fibre optic reflectance spect…A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt (2018)A multispectral imaging appro…A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)A technical step forward in t…FORS Spectral Database of Historical Pigments in Different Binders (2014)FORS Spectral Database of His…Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Characterisation of colourant…A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China (2014)A scientific study of the pig…Optimum spectral window for imaging of art with optical coherence tomography (2013)Optimum spectral window for i…‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’ (2013)‘Multispectral Imaging in Ref…In situ Raman microscopy applied to large Central Asian paintings (2009)In situ Raman microscopy appl…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…Pigment Compendium (2008)Pigment CompendiumScientific research on the pictorial arts of Asia : proceedings of the second Forbes Symposium at the Freer Gallery of Art (2005)Scientific research on the pi…NOTE ON THE TECHNIQUE AND CONSERVATION OF SOME THANG-KA PAINTINGS (1970)NOTE ON THE TECHNIQUE AND CON…First evidence and characterisation of rare chrome-based colourants used on 19th-century textiles from Myanmar (2023)First evidence and characteri…Infrared Reflectography: a Method for the Examination of Paintings (1968)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)Application of non-invasive optical monitoring methodologies to follow and record painting cleaning processes (2015)Optical devices provide unprecedented insights into the laser cleaning of calcium oxalate layers (2015)Modern analytical methods in art and archaeology (2000)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)On‐and off‐site Raman study of rock‐shelter paintings at world‐heritage site of Bhimbetka (2012)Non-invasive characterization of colorants by portable diffuse reflectance infrared Fourier transform (DRIFT) spectroscopy and chemometrics (2017)Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials (2018)Fluorescence of Paint and Varnish Layers (Part III) (1982)The Colourful Past - 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References

  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2008Pigment Compendium317 cited
  • 2014FORS Spectral Database of Historical Pigments in Different Binders119 cited
  • 2018Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD)97 cited
  • 2013‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’85 cited
  • 2017A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy67 cited
  • 2013Optimum spectral window for imaging of art with optical coherence tomography61 cited
  • 2018A multispectral imaging approach integrated into the study of Late Antique textiles from Egypt60 cited
  • 2009In situ Raman microscopy applied to large Central Asian paintings40 cited
  • 2019Compositional and Micro-Morphological Characterisation of Red Colourants in Archaeological Textiles from Pharaonic Egypt37 cited
  • 2005Scientific research on the pictorial arts of Asia : proceedings of the second Forbes Symposium at the Freer Gallery of Art26 cited
  • 2021A multi-scalar investigation of the colouring materials used in textile wrappings of Egyptian votive animal mummies

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26 cited
  • 2014A scientific study of the pigments in the wall paintings at Jokhang Monastery in Lhasa, Tibet, China23 cited
  • 2020Combination of noninvasive imaging techniques to characterize pigments in Buddhist thangka paintings22 cited
  • 1970NOTE ON THE TECHNIQUE AND CONSERVATION OF SOME THANG-KA PAINTINGS19 cited
  • Cited by

    • 2023First evidence and characterisation of rare chrome-based colourants used on 19th-century textiles from Myanmar13 cited