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Market Readiness for the Digital Music Industries: A Case Study of Independent Artists
16 references·0 citing·44 second hop
Market Readiness for the Digital Music Industries: A Case Study of Independent Artists (2022)Market Readiness for the Digital Music In…The Digital Marketing Toolkit: A Literature Review for the Identification of Digital Marketing Channels and Platforms (2020)The Digital Marketing Toolkit…Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Platform pop: disentangling S…Popular Music as Promotion: Music and Branding in the Digital Age (2018)Popular Music as Promotion: M…MAKING ART WORK: An Economic Study of Professional Artists in Australia (2017)MAKING ART WORK: An Economic …The music industry: music in the cloud (2013)The music industry: music in …Fans or friends?: seeing social media audiences as musicians do (2013)Fans or friends?: seeing soci…A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production (2012)A Creative Industry in Transi…Autoethnography: An Overview (2010)Autoethnography: An OverviewRethinking the music industry (2007)Rethinking the music industryAnalytic Autoethnography (2006)Analytic AutoethnographyCreative Industries: Contracts between Art and Commerce (2001)Creative Industries: Contract…Creative industries: contracts between art and commerce (2000)Creative industries: contract…Service expectations: the consumer versus the provider (1995)Service expectations: the con…Qualitative Data Analysis: An Expanded Sourcebook (1994)Qualitative Data Analysis: An…River Magic: Extraordinary Experience and the Extended Service Encounter (1993)River Magic: Extraordinary Ex…Building Theories from Case Study Research (1989)Building Theories from Case S…Control, curation and musical experience in streaming music services (2015)Why go to pop concerts? The motivations behind live music attendance (2016)Playing to the Crowd (2019)The Cultural Industries (2019)A Conceptual Model of Service Quality and Its Implications for Future Research (1985)SERVQUAL: A multiple-Item Scale for measuring consumer perceptions of service quality (1988)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Development of a Scale to Measure Memorable Tourism Experiences (2010)Exploring the essence of memorable tourism experiences (2011)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Postmodern Condition: A Report on Knowledge (1984)Handbook of Qualitative Research (1994)The Possibilities of Phenomenology for Organizational Research (2014)Ethics in Autoethnography and Collaborative Autoethnography (2017)Qualitative Sociology (2017)The Interpretation of Cultures (2017)SoundScan and the consolidation of control in the popular music industry (1997)The Cambridge Companion to Pop and Rock (2001)The transformation of the music industry supply chain (2004)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Challenges and solutions for marketing in a digital era (2014)Digital marketing and social media: Why bother? (2014)The usage of digital marketing channels in SMEs (2015)The Significance of Digital Marketing in Shaping Ecotourism Behaviour through Destination Image (2022)The Impact of Digital Marketing Innovation on Firm Performance: Mediation by Marketing Capability and Moderation by Firm Size (2023)Digital transformation voluntary disclosure: Insights from leading European companies (2024)Analyzing Social Settings: A Guide To Qualitative Observation And Analysis (1971)Handbook of Qualitative Research. (1995)Handbook of qualitative research (1999)Researchers' roles in knowledge co-production: experience from sustainability research in Kenya, Switzerland, Bolivia and Nepal (2010)Are We There Yet? Data Saturation in Qualitative Research (2015)Three Approaches to Qualitative Content Analysis (2005)Using thematic analysis in psychology (2006)The qualitative content analysis process (2008)Social Implications of the Internet (2001)In the Social Factory? (2008)Die Gesellschaft der Singularitäten (2018)Building global knowledge pipelines: The role of temporary clusters (2006)WHAT IS A PROFESSIONAL SERVICE FIRM? TOWARD A THEORY AND TAXONOMY OF KNOWLEDGE-INTENSIVE FIRMS. (2010)Reflections on societal and business model transformation arising from digitization and big data analytics: A research agenda (2015)Value creation in E‐business (2001)Knowing in Practice: Enacting a Collective Capability in Distributed Organizing (2002)Seeking Qualitative Rigor in Inductive Research (2012)
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References

  • 1994Qualitative Data Analysis: An Expanded Sourcebook48,401 cited
  • 1989Building Theories from Case Study Research17,437 cited
  • 2010Autoethnography: An Overview3,824 cited
  • 1993River Magic: Extraordinary Experience and the Extended Service Encounter2,577 cited
  • 2006Analytic Autoethnography2,419 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2001Creative Industries: Contracts between Art and Commerce1,210 cited
  • 2013The music industry: music in the cloud326 cited
  • 2007Rethinking the music industry263 cited
  • 2020The Digital Marketing Toolkit: A Literature Review for the Identification of Digital Marketing Channels and Platforms145 cited
  • 2012A Creative Industry in Transition: The Rise of Digitally Driven Independent Music Production142 cited
  • 2013Fans or friends?: seeing social media audiences as musicians do110 cited
  • 1995Service expectations: the consumer versus the provider96 cited
  • 2020Platform pop: disentangling Spotify’s intermediary role in the music industry88 cited
  • 2018Popular Music as Promotion: Music and Branding in the Digital Age76 cited

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MAKING ART WORK: An Economic Study of Professional Artists in Australia
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