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Knowing music, making music: Javanese gamelan and the theory of musical competence and interaction
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  • 2005Breath and Bamboo: Diasporic Lao Identity and the Lao Mouth-Organ21 cited
  • 2010Mixing for Parlak and Bowing for a Büyük Ses : The Aesthetics of Arranged Traditional Music in Turkey21 cited
  • 2019Layers and Elasticity in the Rhythm of Noh Songs19 cited
  • 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
  • 2010Of One Family? Improvisation, Variation, and Composition in Balinese Gendér Wayang12 cited
  • 2018Schools and families as institutions of learning in Central Javanese gamelan7 cited
  • 2017Laras concept and its triggers: A case study on garap of jineman Uler Kambang7 cited
  • 2010“You’ll Break Your Heart Trying to Play It Like You Sing It”: Intermodal Imagery and the Transmission of Scottish Classical Bagpiping6 cited
  • 2019Pemain Kacapi Indung Seni Tembang Sunda Cianjuran: Kajian Peraihan Derajat Kompetensi6 cited
  • 2008A response to two problems in music education: the Young Australian Concert Artists programme of the Australian Youth Orchestra5 cited
  • 2017GARAP GREGET-URIP DALAM KARAWITAN JAWA: STUDI KASUS GARAP LELAGON CAMPURSARI DALAM LOMBA GENDING DOLANAN RRI SURAKARTA4 cited

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