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Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods
16 references·1 citing·24 second hop
Non-invasive and Non-destructive Examination of Artists’ Pigments, Paints and Paintings by Means of X-Ray Imaging Methods (2022)Non-invasive and Non-destructive Examinat…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Real-time elemental imaging o…The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)The ID21 X-ray and infrared m…Lead soaps in paintings: Friends or foes? (2016)Lead soaps in paintings: Frie…Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Strategies for processing meg…Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Mobile depth profiling and su…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh (2012)Combined use of Synchrotron R…Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Optimization of mobile scanni…Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Visible and Infrared Imaging …Photon-Based Techniques for Nondestructive Subsurface Analysis of Painted Cultural Heritage Artifacts (2010)Photon-Based Techniques for N…Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Characterization of a Degrade…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Applications of synchrotron-b…Development of confocal X-ray fluorescence (XRF) microscopy at the Cornell high energy synchrotron source (2006)Development of confocal X-ray…ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)ArtTAX – a new mobile spectro…High-resolution compound-specific mapping in works of art via data fusion of MA-XRPD with hyperspectral data (part 1: Method evaluation) (2024)High-resolution compound-spec…National Gallery Technical Bulletin (1979)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward (2010)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Mass spectrometry with laser sampling: A new tool to characterize archaeological materials (2001)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)VERMILION AND CINNABAR (1972)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy (2013)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Analytical chemistry in the field of cultural heritage (2015)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Distribution of nickel and chromium containing particles from tattoo needle wear in humans and its possible impact on allergic reactions (2019)Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques (2020)
this work references cited by second hop

References

  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
  • 2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings188 cited
  • 2016The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials188 cited
  • 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2001ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects160 cited
  • 2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
  • 2008Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings140 cited
  • 2017Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique134 cited
  • 2012Combined use of Synchrotron Radiation Based Micro-X-ray Fluorescence, Micro-X-ray Diffraction, Micro-X-ray Absorption Near-Edge, and Micro-Fourier Transform Infrared Spectroscopies for Revealing an Alternative Degradation Pathway of the Pigment Cadmium Yellow in a Painting by Van Gogh

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132 cited
  • 2010Photon-Based Techniques for Nondestructive Subsurface Analysis of Painted Cultural Heritage Artifacts124 cited
  • 2013Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review119 cited
  • 2006Development of confocal X-ray fluorescence (XRF) microscopy at the Cornell high energy synchrotron source118 cited
  • 2016Lead soaps in paintings: Friends or foes?114 cited
  • Cited by

    • 2024High-resolution compound-specific mapping in works of art via data fusion of MA-XRPD with hyperspectral data (part 1: Method evaluation)10 cited