Cinema Studies: The Key Concepts

Susan M. Hayward

167 citations0/0 files storedRoutledge eBooks

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

Cinema Studies: The Key Concepts is an essential guide for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study and arguably the greatest art form of modern times. Now fully revised and updated for its fourth edition, the book includes new topical entries such as: CGI Convergence Cult cinema Digital cinema/Post-digital cinema Dogme 95• Movement-image/Time-image Quota quickies 3-D technology

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 167 citations exist upstream.

Cited by

2021Adoption of green banking practices and environmental performance in Pakistan: a demonstration of structural equation modelling 2012The International Encyclopedia of Media Studies 2008Creative Cities and the Film Industry: Antalya's Transition to a Eurasian Film Centre 2020Film or Film Brand? UK Consumers’ Engagement with Films as Brands 2014Animating Film Theory 2016Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism 2012An analysis of Hindi women-centric films in India.2017Deconstructing Disney's divas: a critique of the singing princess as filmic trope

Imported from OpenAlex (CC0) — nothing here is generated.