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Cosmopolitical Performances: Enacting authority and ordering the world through spatial music in the pre-contact Andes
16 references·0 citing·36 second hop
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References

  • 1996Discipline and Punish: The Birth of the Prison.15,379 cited
  • 1984Sound Structure as Social Structure348 cited
  • 1996The Archaeology of Plazas and the Proxemics of Ritual: Three Andean Traditions226 cited
  • 1998Mummies and mortuary monuments: a postprocessual prehistory of Central Andean social organization200 cited
  • 1958The Rational and Social Foundations of Music131 cited
  • 1981The ‘cori spezzati’ of St Mark's: myth and reality130 cited
  • 1999Moche Fineline Painting: Its Evolution and Its Artists101 cited
  • 1995Musica practica: the social practice of Western music from Gregorian chant to postmodernism75 cited
  • 2013Music, Sensation, and Sensuality67 cited
  • 2004ARCHITECTURAL SPACES FOR MUSIC: JACOPO SANSOVINO AND ADRIAN WILLAERT AT ST MARK'S61 cited
  • 2017Sensing sonically at Andean Formative Chavín de Huántar, Perú35 cited
  • 2018Assembling the Moche: the power of temporary gatherings on the North Coast of Peru28 cited
  • 2009Implications of the fluvial history of the Wacheqsa River for hydrologic engineering and water use at Chavín de Húntar, Peru23 cited
  • 1997An American in Space: Henry Brant's "Spatial Music"18 cited
  • 1996Andean music, symbolic dualism and cosmology

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  • 2015LOS PRIMEROS INSTRUMENTOS MUSICALES PRECOLOMBINOS: LA FLAUTA DE PAN ANDINA O LA “ANTARA”10 cited
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