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The masks of Menander: sign and meaning in Greek and Roman performance
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Cited by

  • 1995Fabulae Praetextaein context: when were plays on contemporary subjects performed in Republican Rome?207 cited
  • 1996The art of deceit: Pseudolus and the nature of reading96 cited
  • 2014The Cambridge Companion to Greek Comedy58 cited
  • 2018Greek Tragedy in the Fourth Century: The Fragments51 cited
  • 2009Old Men and Metatheatre in Terence: Terence's Dramatic Competition46 cited
  • 2014The politics of Greek comedy42 cited
  • 2014The reception of Greek comedy in Rome30 cited
  • 2014Epicharmus and early Sicilian comedy30 cited
  • 2022Seneca's Characters26 cited
  • 2001The Masks of Greek Tragedy as Point of Departure for Modern Performance25 cited
  • 2014Divinity and religious practice25 cited
  • 2014Utopianism23 cited
  • 2014Performing gender in Greek Old and New Comedy22 cited
  • 2014Dramatic technique and Athenian comedy22 cited
  • 2014Fourth-century comedy before Menander22 cited
  • 2018Theatre Performance After the Fifth Century

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20 cited