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Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa
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Past Images, Contemporary Practices: Reuse of Rock Art Images in Contemporary San Art of Southern Africa (2017)Past Images, Contemporary Practices: Reus…Dialogues Across Time? Conceptualising the Temporal Relationships of Palimpsests in the Upper Palaeolithic Cave Art of El Castillo (Cantabria, Spain) (2025)Dialogues Across Time? Concep…“I Am From Here”: Rock Art, Heritage and Identity (2024)“I Am From Here”: Rock Art, H…„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras (2019)„Szaman nigdy nie umiera”. Sz…The dream seekers: Native American visionary traditions of the Great Plains (1994)Miscast: negotiating the presence of the Bushmen (1998)The art of the shaman : rock art of California (2000)Primitive Art in Civilized Places (1990)Who Owns Native Culture? (2004)Uses of Heritage (2006)Art And Agency (1998)Time perspectives, palimpsests and the archaeology of time (2006)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Sala Keimada: another Palaeolithic sanctuary in Cueva Palomera at Ojo Guareña (Burgos, Spain) (2026)
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Cited by

  • 2019„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras2 cited
  • 2025Dialogues Across Time? Conceptualising the Temporal Relationships of Palimpsests in the Upper Palaeolithic Cave Art of El Castillo (Cantabria, Spain)1 cited
  • 2024“I Am From Here”: Rock Art, Heritage and Identity0 cited

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