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The Garland Encyclopedia of World Music
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  • 2003Belly Dance: Orientalism—Exoticism—Self-Exoticism59 cited
  • 2011Music education in China: In search of social harmony and Chinese nationalism50 cited
  • 2012Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology36 cited
  • 2007The Dual Career of “Arirang”: The Korean Resistance Anthem That Became a Japanese Pop Hit33 cited
  • 2010The Making of a Musical Canon in Chinese Central Asia: The Uyghur Twelve Muqam22 cited
  • 2009Chapter 11 Modes of Theorizing in Iranian Khorasan21 cited
  • 2009Chapter 7 Music in Urban Space21 cited
  • 2007Japanese Spirituality and Music Practice: Art as Self-cultivation20 cited
  • 2009Chapter 9 Sīna ba Sīna or “From Father to Son”14 cited
  • 2010A Staged Fright: Musical Hybridity and Religious Intolerance in Turkey, 1923–3813 cited
  • 2019“Music Version” versus “Vocals-Only”: Islamic Pop Music, Aesthetics, and Ethics12 cited
  • 2008Le chant des serpents12 cited
  • 2009Folk Media for Biodiversity Conservation12 cited
  • 2024Divergences and convergences across European musical preferences: How taste varies within and between countries10 cited

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2012
Consilience Revisited: Musical and Scientific Approaches to Chinese Performance
10 cited
  • 2017An Audience of One: The Private Music of the Chinese Literati9 cited