SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Linguistics and Semiotics in Music
0 references·15 citing·48 second hop
Linguistics and Semiotics in Music (1994)Linguistics and Semiotics in MusicDragging Music: Towards a Queer Socio-Cultural Semiotics (2024)Dragging Music: Towards a Que…Pantomime as the original human-specific communicative system (2020)Pantomime as the original hum…Music and Knowledge: A Performer's Perspective (2017)Music and Knowledge: A Perfor…Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero. (2016)Musical Semiotics as a Tool f…Los signos en la historia de la música, historia de la semiótica musical (2016)Los signos en la historia de …Penetrating the ‘black‐box’ of ‘remembrance day’ playlist: bereavement and the induction mechanisms of glocalization – a study in cultural sociology (2012)Penetrating the ‘black‐box’ o…A Sign of the Times: Semiotics in Anglo-American Musicology (2012)A Sign of the Times: Semiotic…M imesis and the A esthetics of M usical E xpression (2010)M imesis and the A esthetics …Can computational music analysis be both musical and computational? (2010)Can computational music analy…Sobre a busca da verdade na etnomusicologia (2008)Sobre a busca da verdade na e…Music as Discourse (2008)Music as DiscourseOn Topics Today (2007)On Topics TodayThematic and motivic analysis (2002)Thematic and motivic analysisLa recherche musicologique aujourd'hui: Questionnements, intersciences, métamusicologie (1992)La recherche musicologique au…A narrative grammar of Chopin's G minor Ballade (1992)A narrative grammar of Chopin…The World as Will and Representation. (1959)The New Grove dictionary of music and musicians (2001)The dialectic of enlightenment (2004)Storytelling in Jazz Work as Retrospective Collaboration (2017)Dictionnaire de musique (1913)Elementos de Semiología (1970)Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Fondements d'une semiologie de la musique (1976)The New Grove Dictionary of Music and Musicians (1981)Brahms studies: analytical and historical perspectives (1991)Music, Computing, and Health: A Roadmap for the Current and Future Roles of Music Technology for Health Care and Well-Being (2021)The Archaeology of Knowledge. (1974)Image-Music-Text (1977)Writing and Difference (1980)You Say Invisible, I Say Ubiquitous: A (Formally Former) Student’s Response to Philip Tagg’s ‘Caught on the Back Foot: Epistemic Inertia and Visible Music’. (2013)Classic Music: Expression, Form, and Style (1981)Metáforas de la vida cotidiana (1986)The meaning of the body: aesthetics of human understanding (2008)Course in General Linguistics (1960)Structuralist Poetics (1975)Music and Discourse: Toward a Semiology of Music (1991)Da Música como Criatura Viva: repercussões do organicismo na teoria contemporânea. (2014)Music in Profile (2023)Translating musical meaning (2023)Course in General Linguistics (1960)Discourse, Consciousness, and Time: The Flow and Displacement of Conscious Experience in Speaking and Writing (1994)Saying something: jazz improvisation and interaction (1997)Hollywood Cadences (2013)Key Components of Musical Discourse Analysis (2013)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)A theory of human motivation. (1943)The Structure of Scientific Revolutions (1963)Metaphors We Live By (2003)“Jamaican Sound Keroncong”: A Communication Study on the Spread of Keroncong in the Young Generation in Bandung (2019)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Stop the Press? The Changing Media of Music Criticism (2019)The genetical evolution of social behaviour. I (1964)Gesture Visible Action as Utterance (2004)Play, Dreams And Imitation In Childhood (2013)Desiderata for metaphor theory, the Motivation & Sedimentation Model and motion-emotion metaphoremes (2020)Visual bodily signals as core devices for coordinating minds in interaction (2022)Fifteen ways of looking at a pointing gesture (2023)Basic objects in natural categories (1976)Problems of Dostoevsky's Poetics (1984)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Sound and semantics: topics in the music of Arnold Schoenberg (2013)Review: The Oxford Handbook of Topic Theory by Danuta Mirka (2015)Topic Theory in Soviet Musicology (2022)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2020Pantomime as the original human-specific communicative system82 cited
  • 2008Music as Discourse79 cited
  • 2017Music and Knowledge: A Performer's Perspective42 cited
  • 2002Thematic and motivic analysis34 cited
  • 2007On Topics Today32 cited
  • 2010M imesis and the A esthetics of M usical E xpression17 cited
  • 2010Can computational music analysis be both musical and computational?10 cited
  • 2008Sobre a busca da verdade na etnomusicologia10 cited
  • 2016Musical Semiotics as a Tool for the Social Study of Music. By Óscar Hernández Salgar. Translated by Brenda M. Romero.9 cited
  • 2012A Sign of the Times: Semiotics in Anglo-American Musicology8 cited
  • 1992La recherche musicologique aujourd'hui: Questionnements, intersciences, métamusicologie6 cited
  • 2012Penetrating the ‘black‐box’ of ‘remembrance day’ playlist: bereavement and the induction mechanisms of glocalization – a study in cultural sociology5 cited
  • 2024Dragging Music: Towards a Queer Socio-Cultural Semiotics4 cited
  • 2016Los signos en la historia de la música, historia de la semiótica musical4 cited
  • 1992

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

A narrative grammar of Chopin's G minor Ballade
4 cited