Love and Theft: Blackface Minstrelsy and the American Working Class.Tom Quirk, Eric J. Lott1995-01-01articleAfrican American Review284 citationsclosedNo readable copy stored yet — this record is metadata only.Theater, Performance, and Music HistoryRace, History, and American SocietyArts and Performance StudiesAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 284 citations exist upstream.Cited by2009The Ecology of Games: Connecting Youth, Games and Learning2008Shrines and Pilgrimage in the Modern World : New Itineraries into the Sacred2010What Is Sociological about Music?2019The Race of Sound Listening, Timbre, and Vocality in African American Music2018Race and the Yugoslav region2015Metroimperial Intimacies2010Bulldaggers, Pansies, and Chocolate Babies2016Sitting in Darkness