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Amateurism: An Alternative Narrative of Photography in China, Part I
15 references·1 citing·20 second hop
Amateurism: An Alternative Narrative of Photography in China, Part I (2022)Amateurism: An Alternative Narrative of P…Photo Poetics (2020)Photo PoeticsExperimental Beijing (2018)Experimental BeijingShadow Modernism: Photography, Writing, and Space in Shanghai, 1925-1937 (2017)Shadow Modernism: Photography…Portraiture and Early Studio Photography in China and Japan (2017)Portraiture and Early Studio …The Lyrical in Epic Time (2015)The Lyrical in Epic TimeThe Allegorical Landscape: Lang Jingshan's Photography in Context (2015)The Allegorical Landscape: La…Visual Culture in Contemporary China (2014)Visual Culture in Contemporar…History of Photography in China: Chinese Photographers 1844-1879 (2014)History of Photography in Chi…Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign (2013)Early Twentieth-Century Art P…Reconsidering amateur photography: an introduction (2012)Reconsidering amateur photogr…History of Photography in China, 1842-1860 (2010)History of Photography in Chi…Little History of Photography (2008)Little History of PhotographyChina's New NationalismPride, Politics, and Diplomacy (2004)China's New NationalismPride,…Art And Agency (1998)Art And AgencyConfucian China and Its Modern Fate: A Trilogy (1968)Confucian China and Its Moder…Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery (2024)Aesthetics and Perception: Pa…Coping with the threat of westernization in Hong Kong (1985)Chinese Intellectuals′ Quest for National Greatness and Nationalistic Writing in the 1990s (1997)Our Great Qing: The Mongols, Buddhism, and the State in Late Imperial China (2008)History, identity, and security: Producing and consuming nationalism in China (2006)Authoritarian Audiences, Rhetoric, and Propaganda in International Crises: Evidence from China (2019)Right-wing populism with Chinese characteristics? Identity, otherness and global imaginaries in debating world politics online (2019)Manhua Modernity: Chinese Culture and the Pictorial Turn (2020)Posthuman policies for creative, smart, eco-cities? Case studies from China (2018)The Anthropology of Art, After the End of Art: Contesting the Art-Culture System (2019)Theorizing New Photographies in Contemporary China: An Introduction (2022)Visual evidence? Rethinking anthropological photography in republican China (1912–1949) (2022)Language Ideologies in Early History of Modern Mandarin: A Study of Shen Congwen's Minor Literature (2019)Yellow peril, red scare: race and communism inNational Review (2017)Folk culture China in the China Pavilion, Venice Biennale: repositioning ‘Chineseness’ in contemporary art discourse (2021)Cellular Features: Microcinematography and Film Theory (2005)Benjamin’s Aura (2008)Creativity and Its Discontents (2012)The cultural biography of objects (1999)Reading the Past (2003)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)
this work references cited by second hop

References

  • 1998Art And Agency3,452 cited
  • 1968Confucian China and Its Modern Fate: A Trilogy328 cited
  • 2008Little History of Photography203 cited
  • 2004China's New NationalismPride, Politics, and Diplomacy192 cited
  • 2014Visual Culture in Contemporary China64 cited
  • 2018Experimental Beijing58 cited
  • 2015The Lyrical in Epic Time44 cited
  • 2017Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925-193716 cited
  • 2017Portraiture and Early Studio Photography in China and Japan14 cited
  • 2020Photo Poetics12 cited
  • 2013Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign10 cited
  • 2010History of Photography in China, 1842-18609 cited
  • 2015The Allegorical Landscape: Lang Jingshan's Photography in Context7 cited
  • 2014History of Photography in China: Chinese Photographers 1844-18796 cited
  • 2012Reconsidering amateur photography: an introduction2 cited

Cited by

  • 2024Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery

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1 cited