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Cited by

• 2020The Overlooked Tradition of “Personal Music” and Its Place in the Evolution of Music29 cited
• 2020Ethnomusicology and the Indian Ocean: On the Politics of Area Studies28 cited
• 2014Hybridity and harmony8 cited
• 2022Preserving Linguistic Diversity: Strategies for Language Preservation and Cultural Heritage Safeguarding7 cited
• 2019Music competitions, public pedagogy and decolonisation in Trinidad and Tobago6 cited
• 2013The Saman Gayo Lues Sitting Song-Dance and ITS Recognition as an Item of Intangible Cultural Heritage4 cited
• 2015Is Eastern Insulindia a Distinct Musical Area?4 cited
• 2013On the history of the musical arts in Southeast Asia3 cited
• 2019What the “Talking Jew’s Harp” is saying: Jew’s harp and personal song as the foundation of timbre-oriented musical systems3 cited
• 2019Strings across the ocean: practices, traditions, and histories of the Cocos Malaybiolain the Cocos (Keeling) Islands, Indian Ocean3 cited