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That half-barbaric twang: the banjo in American popular culture
0 references·4 citing·13 second hop
That half-barbaric twang: the banjo in American popular culture (1992)That half-barbaric twang: the banjo in Am…Storiesl of Differentiation and Association: Narrative Identity and the JolaEkonting (2016)Storiesl of Differentiation a…Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity (2010)Hick-Hop Hooray? “Honky Tonk …Another history of bluegrass: The segregation of popular music in the United States, 1820–1900 (2001)Another history of bluegrass:…The Banjo, from Its Roots to the Ragtime Era (1998)The Banjo, from Its Roots to …The Folk, the Stage, and the Five-String Banjo in the Nineteenth Century (1976)The New Grove Dictionary of Music and Musicians (1981)Ragtime: Its history, composers, and music (1985)Problems of Dostoevsky's Poetics (1984)The Black Atlantic: Modernity and Double Consciousness (1994)The Location of Culture (2012)The Case of/for Communication (What Does It Mean to Study Popular Music?) (2014)The Invention of Tradition (1986)The Condition of Postmodernity (1991)Ragtime Country (2020)The Condition of Postmodernity (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)Beyond “identity” (2000)
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  • 2001Another history of bluegrass: The segregation of popular music in the United States, 1820–190011 cited
  • 2010Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity10 cited
  • 1998The Banjo, from Its Roots to the Ragtime Era2 cited
  • 2016Storiesl of Differentiation and Association: Narrative Identity and the JolaEkonting2 cited

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