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Cited by

• 1984Melodic Structure and Note Transition Probabilities: A Content Analysis of 15,618 Classical Themes52 cited
• 2010Birth Location, Migration, and Clustering of Important Composers44 cited
• 2013Building a Representative Corpus of Classical Music30 cited
• 1999Key Implications of Ascending Fourth and Descending Fifth Openings24 cited
• 2013An Empirical Study of Historical Patterns in Musical Rhythm23 cited
• 2007A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers16 cited
• 2017A Tool for the Quantitative Anthropology of Music: Use of the nPVI Equation to Analyze Rhythmic Variability within Long-term Historical Patterns in Music12 cited
• 2014Information Flow and Repetition in Music12 cited
• 2022Theory of Prominence11 cited
• 2009Zygonic Theory: Introduction, Scope, and Prospects9 cited
• 2008Performance time productivity and versatility estimates for 102 classical composers9 cited
• 2017The War of the Romantics: An Alternate Hypothesis Using nPVI for the Quantitative Anthropology of Music7 cited
• 2019Second-Position Syncopation in European and American Vocal Music7 cited
• 2015Numerical Odds and Evens in Beethoven's Nine Symphonies