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Stolen time: the history of tempo rubato
0 references·15 citing·36 second hop
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  • 1996Tempo, duration, and flexibility: Techniques in the analysis of performance68 cited
  • 1999"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style61 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2007Vocal Expression in Recorded Performances of Schubert Songs31 cited
  • 2006The dimensions of baroque music performance: a semantic differential study22 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2010A BaroqueTräumerei: The Performance and Perception of two Violin Renditions6 cited
  • 2014Commercial Sound Recordings and Trends in Expressive Music Performance6 cited
  • 2017Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach6 cited
  • 2014Expressiveness in Jazz Performance5 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2009Bring out the counterpoint: exploring the relationship between implied polyphony and rubato in Bach's solo violin music

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3 cited