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Music and the Making of Modern Science
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Music and the Making of Modern Science (2014)Music and the Making of Modern ScienceThe Subjective Perception of Music: Stanislav Vomela and Subjective Research in Psychophysiology in 1930s Czechoslovakia (2022)The Subjective Perception of …The Everyday Life Intersection of Translational Science and Music (2019)The Everyday Life Intersectio…Savoirs de la musique et études de sciences (2019)Savoirs de la musique et étud…Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello (2019)Opera and Hypnosis: Victor Ma…Nineteenth-Century Opera and the Scientific Imagination (2019)Nineteenth-Century Opera and …The Long History of Cognitive Practices (2018)The Long History of Cognitive…The Cambridge Companion to Literature and Science (2018)The Cambridge Companion to Li…Science Fiction to Science Studies (2018)Science Fiction to Science St…BOULEZ, INFORMATION SCIENCE AND IRCAM (2016)BOULEZ, INFORMATION SCIENCE A…A Comparative Framework for Studying the Histories of the Humanities and Science (2015)A Comparative Framework for S…Hearing Pygmalion’s Kiss: A Scientific Object at the Paris Opéra (2014)Hearing Pygmalion’s Kiss: A S…Preliminary Discourse to the Encyclopedia of Diderot (1963)Enlightenment and pathology: sensibility in the literature and medicine of eighteenth-century France (1998)The Collapse of Mechanism and the Rise of Sensibility: Science and the Shaping of Modernity, 1680-1760 (2011)The Encyclopedia of language and linguistics (1994)Probabilistic Linguistics (2003)Television (2004)Longing for the Longue Durée (2016)Introduction: Epistemic Virtues in the Sciences and the Humanities (2017)The Flow of Cognitive Goods: A Historiographical Framework for the Study of Epistemic Transfer (2019)The Structure of Atonal Music (1974)Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995)The idea factory: Bell Labs and the great age of American innovation (2012)The Two Cultures (1959)Constructing grounded theory : a practical guide through qualitative analysis (2006)The Increasing Dominance of Teams in Production of Knowledge (2007)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Grundrisse: Foundations of the Critique of Political Economy (2002)Oxford Dictionary of National Biography (2004)Minds, brains, and programs (1980)We have never been modern (1994)Sorting Things Out (1999)Speculative Political Ecologies: (re)imagining urban futures of climate extremes (2023)The Structure of Scientific Revolutions (1963)We Have Never Been Modern (1994)Performing Rites (1996)Music in Everyday Life (2000)Nous n'avons jamais été modernes (2006)The science question in feminism (1987)Experiments in anticipation: Learning from Responsible Research and Innovation in the Human Brain Project (2025)“This Musical Peace is Worse than War:” Cultural History, Musical Banality and Political Context in the Ballet Excelsior (2024)
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Cited by

  • 2015A Comparative Framework for Studying the Histories of the Humanities and Science42 cited
  • 2018Science Fiction to Science Studies19 cited
  • 2018The Cambridge Companion to Literature and Science18 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2019The Everyday Life Intersection of Translational Science and Music6 cited
  • 2014Hearing Pygmalion’s Kiss: A Scientific Object at the Paris Opéra4 cited
  • 2019Savoirs de la musique et études de sciences3 cited
  • 2016BOULEZ, INFORMATION SCIENCE AND IRCAM2 cited
  • 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited
  • 2018The Long History of Cognitive Practices0 cited
  • 2022The Subjective Perception of Music: Stanislav Vomela and Subjective Research in Psychophysiology in 1930s Czechoslovakia0 cited

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