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Interpreting Popular Music
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  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1998The Cambridge History of American Music120 cited
  • 2011Voice, place and genre in popular song performance185 cited
  • 2016A System for Describing Vocal Timbre in Popular Song82 cited
  • 2005Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music)48 cited
  • 1998Art music from 1800 to 186047 cited
  • 2004Bob Dylan and Jimi Hendrix: Juxtaposition and Transformation "All along the Watchtower"46 cited
  • 2015Intertextuality, sampling, and copyright44 cited
  • 2011Pained expression: metaphors of sickness and signs of ‘authenticity’ in Kurt Cobain'sJournals41 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2014Theoretical Approaches to Quotation in Hip-Hop Recordings37 cited
  • 2012“You Can't Win, Child, but You Can't Get Out of the Game”: Michael Jackson's Transition from Child Star to Superstar26 cited
  • 1999An analysis of Neil Young's ‘Powderfinger’ based on Mark Johnson's image schemata26 cited
  • 2015Songwriters and song lyrics: architecture, ambiguity and repetition26 cited

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  • 2018Musical Cosmopolitanism, Bodies and Aesthetic Cultures22 cited
  • 2005"The Digital Won't Let Me Go": Constructions of the Virtual and the Real in Gorillaz' "Clint Eastwood"120 cited