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An entrance for the eyes: space and meaning in seventeenth-century Dutch art · Study

WorkAn entrance for the eyes: space and meaning in seventeenth-century Dutch art

Unknown author2002

Work2002

An entrance for the eyes: space and meaning in seventeenth-century Dutch art

Unknown author

46 citations·0/0 files stored·Choice Reviews Online

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Historical Art and Architecture Studies Visual Culture and Art Theory Architecture and Art History Studies

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2015Gerrit Dou’s Enchanting Trompe- l’Oeil : Virtuosity and Agency in Early Modern Collections 2015The Engagement of Carel Fabritius’ Goldfinch of 1654 with the Dutch Window, a Significant Site of Neighborhood Social Exchange

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Year2002

Typeother

Published2002-09-01

VenueChoice Reviews Online

ISSN-L0009-4978

Languageen

Citations46

Files0 public / 0

ShelfHistorical Art and Architecture Studies

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doi10.5860/choice.40-0092

openalex_workW4299841450

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