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Wagner's Melodies
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Wagner's Melodies (2013)Wagner's MelodiesLyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)Lyric Forms as “Performed” Sp…Wagner and the Rise of Modern Mythology (2020)Wagner and the Rise of Modern…The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)The Cambridge Companion to Wa…Specters of Nazism (2020)Specters of NazismMusic and the Sonorous Sublime in European Culture, 1680–1880 (2020)Music and the Sonorous Sublim…The Parrys andPrometheus Unbound (2019)The Parrys andPrometheus Unbo…Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello (2019)Opera and Hypnosis: Victor Ma…Nineteenth-Century Opera and the Scientific Imagination (2019)Nineteenth-Century Opera and …Musical Discipline and Victorian Liberal Reform (2019)Musical Discipline and Victor…Music and Victorian Liberalism (2019)Music and Victorian Liberalism“The Atmospheres of Tones”: Notions of Atmosphere in Music Scholarship Between 1840 and 1930 (2019)“The Atmospheres of Tones”: N…Galant Recitative Schemas (2015)Galant Recitative SchemasTechniques of the observer: on vision and modernity in the nineteenth century (1991)Grundrisse: Foundations of the Critique of Political Economy (2002)Oxford Dictionary of National Biography (2004)The Postmodern Condition: A Report on Knowledge (1984)Between Men (1985)Reassembling the Social (2005)The expression of the emotions in man and animals. (1872)A Theory of Justice (1971)A Secular Age (2007)From Max Weber: Essays in Sociology (1946)Philosophical Investigations (1954)Simulacra and Simulation (1995)Style and music: theory, history, and ideology (1990)Playing with Signs (1991)Music in the Galant Style (2007)The leading sixth scale degree: A test of Day-O’Connell’s theory (2017)How To Do Things With Words (1975)Phrase Rhythm in Tonal Music (1991)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)“This Musical Peace is Worse than War:” Cultural History, Musical Banality and Political Context in the Ballet Excelsior (2024)
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Cited by

  • 2020Music and the Sonorous Sublime in European Culture, 1680–188026 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2019The Parrys andPrometheus Unbound14 cited
  • 2019Nineteenth-Century Opera and the Scientific Imagination8 cited
  • 2015Galant Recitative Schemas7 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2019Music and Victorian Liberalism4 cited
  • 2019Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello2 cited
  • 2020Wagner and the Rise of Modern Mythology2 cited
  • 2020Specters of Nazism2 cited
  • 2019Musical Discipline and Victorian Liberal Reform2 cited
  • 2019“The Atmospheres of Tones”: Notions of Atmosphere in Music Scholarship Between 1840 and 19302 cited

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