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Music and the historical imagination
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Cited by

  • 2007The End of Early Music152 cited
  • 1991The Dahlhaus Project and Its Extra-Musicological Sources92 cited
  • 1998Memory and Rhetorical Trope in Schoenberg's String Trio65 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2011Nineteenth-Century Fortunes of Musical Formalism49 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1996The Farewell Story of Mahler's Ninth Symphony43 cited
  • 1991Politics, Feminism, and Contemporary Music Theory40 cited
  • 2011Introduction to the Special Issue: The Ethnomusicology of Western Art Music40 cited
  • 2013The Viennese symphony 1750 to 182735 cited
  • 1990Culture and musical hermeneutics: The Salome complex35 cited
  • 1994Authentic Analysis29 cited
  • 1992Haydn's Chaos, Schenker's Order; Or, Hermeneutics and Musical Analysis: Can They Mix?20 cited
  • 1997‘An infinity of factions’: Opera in eighteenth-century Britain and the undoing of society15 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited

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2000
A Tale of Two Symphonies: Converging Narratives of Divine Reconciliation in Beethoven's Fifth and Sixth
10 cited