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Rock Formation: Music, Technology, and Mass Communication
0 references·16 citing·57 second hop
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  • 2001Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997176 cited
  • 2009The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy157 cited
  • 2011Music and the Internet59 cited
  • 1997Smuggled Sound: Bootleg Recording and the Pursuit of Popular Memory52 cited
  • 2018Music, Mediation Theories and Actor-Network Theory48 cited
  • 1993Popular Music, Criticism, Advertising and the Music Industry46 cited
  • 2008Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording45 cited
  • 2003The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound38 cited
  • 2008The Establishment of the Virtual Performance Space in Rock37 cited
  • 1995Aesthetics, Technology, and the Capitalization of Culture: How the Talking Machine Became a Musical Instrument34 cited
  • 1993A sense of space: Virtual reality, authenticity and the aural32 cited
  • 1997Young People's Music in the Digital Age21 cited
  • 2012Digital Formations of Popular Music19 cited
  • 2013New Technologies and the Business of Music: Lessons from the 1980s Home Taping Hearings

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19 cited
  • 2012What Does it Matter Who is Speaking? Authorship, Authority, and the Mashup18 cited
  • 1998The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘13 cited