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King of Ragtime: Scott Joplin and His Era
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King of Ragtime: Scott Joplin and His Era (1995)King of Ragtime: Scott Joplin and His EraBlack Musics, Technology, and Modernity: Exhibit A, the Drum Kit (2012)Black Musics, Technology, and…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…The Southern Syncopated Orchestra (2008)The Southern Syncopated Orche…Swing Along (2008)Swing AlongResponse to “Art versus Commerce as a Macromarketing Theme” (2006)Response to “Art versus Comme…The rock and roll era (1998)The rock and roll eraSerialism and complexity (1998)Serialism and complexitySacred music to 1800 (1998)Sacred music to 1800Ragtime and early jazz (1998)Ragtime and early jazzPopular song and popular music on stage and film (1998)Popular song and popular musi…Nineteenth-century popular music (1998)Nineteenth-century popular mu…Immigrant, folk, and regional musics in the nineteenth century (1998)Immigrant, folk, and regional…Avant-garde and experimental music (1998)Avant-garde and experimental …Art music from 1800 to 1860 (1998)Art music from 1800 to 1860American Indian musics, past and present (1998)American Indian musics, past …African American music to 1900 (1998)African American music to 1900Anatomy of Criticism (1957)Subculture: The Meaning of Style. (1981)Modernity at Large: Cultural Dimensions of Globalization. (1998)Experimental Actions, the Outcomes of WhichAreForeseen: Experiment and Tradition in Conlon Nancarrow's Studies nos 21 and 36 for Player Piano (2008)Princeton Theory's Problematics (2013)The heroic age of American avant-garde art (2015)THE HUMAN SIDE OF ENTERPRISE (1985)Noise: The Political Economy of Music (1986)Dialectic of Enlightenment (2020)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)The Black Atlantic: Modernity and Double Consciousness (1994)Blacking Up: The Minstrel show in Nineteenth-Century America (1975)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)The Norton anthology of African American literature (1997)Kick It (2020)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)The Filmed Musical (2012)The Television Musical (2012)Tin Pan Alley Songs on Stage and Screen before World War II (2012)The structures of musical life (2001)The (Mis)Representation of African American Music: The Role of the Fiddle (2016)American musical theatre before the twentieth century (2001)Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)Why do they start to sing and dance all of a sudden? Examining the film musical (2001)
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Cited by

  • 1998Art music from 1800 to 186047 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2008The Southern Syncopated Orchestra37 cited
  • 1998African American music to 190025 cited
  • 1998Ragtime and early jazz17 cited
  • 2008Swing Along16 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2006Response to “Art versus Commerce as a Macromarketing Theme”12 cited
  • 1998Avant-garde and experimental music11 cited
  • 1998American Indian musics, past and present9 cited
  • 1998Nineteenth-century popular music9 cited
  • 1998Sacred music to 18007 cited
  • 1998Serialism and complexity6 cited
  • 1998Immigrant, folk, and regional musics in the nineteenth century6 cited
  • 2012Black Musics, Technology, and Modernity: Exhibit A, the Drum Kit5 cited
  • 1998The rock and roll era5 cited

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