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American sensations: class, empire, and the production of popular culture
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Cited by

  • 2011The Cambridge History of the American Novel95 cited
  • 2011The worlding of the American novel54 cited
  • 2011Hawthorne and the aesthetics of American romance41 cited
  • 2011Model minorities and the minority model – the neoliberal novel35 cited
  • 2011Cooper and the idea of the Indian25 cited
  • 2014Seriality and Settlement: Southworth, Lippard, andThe Panorama of the Monumental Grandeur of the Mississippi Valley24 cited
  • 2011The nineteenth-century historical novel22 cited
  • 2005Mapping the Victorian Sensation Novel: Some Recent and Future Trends19 cited
  • 2011Novels of American business, industry, and consumerism18 cited
  • 2012“Speaking German Like Nobody’s Business”: Anna May Wong, Walter Benjamin, and the Possibilities of Asian American Cosmopolitanism14 cited
  • 2020Crisis and Legitimacy in Atlantic American Narratives of Piracy9 cited
  • 2011The rise of the Asian American novel8 cited
  • 2009The World by Gaslight: Urban‐gothic Literature and Moral Reform in New York City, 1845–18607 cited
  • 2011Graphic novels6 cited

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