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The Politics of Theatre and Drama
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The Politics of Theatre and Drama (1992)The Politics of Theatre and DramaHarold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect (2013)Harold Pinter’s “More Precise…Using Popular Theatre for Engaging Racialized Minority Girls in Exploring Questions of Identity and Belonging (2005)Using Popular Theatre for Eng…The Cambridge History of Twentieth-Century English Literature (2005)The Cambridge History of Twen…Literature and cinema (2005)Literature and cinemaThe Cambridge History of British Theatre (2004)The Cambridge History of Brit…Provincial stages, 1900–1934: touring and early repertory theatre (2004)Provincial stages, 1900–1934:…Popular theatre, 1895–1940 (2004)Popular theatre, 1895–1940British theatre, 1895–1946: art, entertainment, audiences – an introduction (2004)British theatre, 1895–1946: a…Strategies of Political Theatre (2003)Strategies of Political Theat…Fighting in the Streets: Dramaturgies of Popular Protest, 1968—1989 (1997)Fighting in the Streets: Dram…Being and Time (1927)Postmodernism, or, The cultural logic of late capitalism (1991)The Black Atlantic: Modernity and Double Consciousness (1994)‘Urban Complexity’ from a Literary and Cultural Studies Perspective: Key Cultural Dimensions and the Challenges of ‘Modeling’ (2013)Imperial Eyes (1900)Sister Outsider: Essays and Speeches (1984)Life on the Screen: Identity in the Age of the Internet (1997)An imaginary England: Nation, landscape and literature (2007)Reading the Ruins: Modernism, Bombsites and British Culture (2011)The Modern Synthesis: Genetics and Dystopia in the Huxley Circle (2016)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Difference and repetition (1994)The shock doctrine: the rise of disaster capitalism (2008)Decolonizing Methodologies: Research and Indigenous Peoples (2000)“We Just Don't Know Each Other”: Racialised Girls Negotiate Mediated Multiculturalism in a Less Diverse Canadian City (2010)Researchers under the spell of the arts: Two decades of using arts-based methods in community-based inquiry with vulnerable populations (2017)Engaging Indigenous youth through popular theatre: Knowledge mobilization of Indigenous peoples’ perspectives on access to healthcare services (2018)Black Skin, White Masks (2023)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Understanding Media: The Extensions of Man (1964)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)The Burden of Representation (1988)Empty Meeting Grounds (2002)Unmarked (2003)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Simulacra and Simulation (1995)Theatre in Britain during the Second World War (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)The History of Sexuality: An Introduction (2012)Performance and Politics in Popular Drama (1980)Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa, Duras (1985)Feminism and Theatre (1988)Alternative Shakespeares (2003)Alternative Shakespeares (2007)Improvisation and Social Aesthetics (2017)
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Cited by

  • 2004The Cambridge History of British Theatre105 cited
  • 2005The Cambridge History of Twentieth-Century English Literature97 cited
  • 2005Using Popular Theatre for Engaging Racialized Minority Girls in Exploring Questions of Identity and Belonging32 cited
  • 1997Fighting in the Streets: Dramaturgies of Popular Protest, 1968—198928 cited
  • 2003Strategies of Political Theatre21 cited
  • 2005Literature and cinema18 cited
  • 2013Harold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect8 cited
  • 2004Provincial stages, 1900–1934: touring and early repertory theatre4 cited
  • 2004British theatre, 1895–1946: art, entertainment, audiences – an introduction4 cited
  • 2004Popular theatre, 1895–19403 cited

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