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The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940, by Nadine George-Graves. 2000. New York: St. Martin's Press, xviii + 183 pp., photographs, appendices, notes, bibliography, index. $49.95 cloth.
1 references·6 citing·22 second hop
The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender, and Class in African American Theater, 1900–1940, by Nadine George-Graves. 2000. New York: St. Martin's Press, xviii + 183 pp., photographs, appendices, notes, bibliography, index. $49.95 cloth. (2001)The Royalty of Negro Vaudeville: The Whit…Blacks in Blackface: A Source Book on Early Black Musical Shows (1981)Blacks in Blackface: A Source…New data, new methods? Sources on ladies’ salon orchestras in Europe, 1870-1918 (2019)New data, new methods? Source…‘To be black is to be funny’: ‘Coon-shouting’ and the melancholic production of the white comedienne (2015)‘To be black is to be funny’:…The Negro Little Theatre Movement (2012)The Negro Little Theatre Move…The Cambridge Companion to African American Theatre (2012)The Cambridge Companion to Af…Slavery, performance, and the design of African American theatre (2012)Slavery, performance, and the…Fragmented musicals and 1970s soul aesthetic (2012)Fragmented musicals and 1970s…Modernism and the Harlem Renaissance (1987)The Harlem renaissance in black and white (1996)Black on White: Black Writers on What It Means to Be White (1998)The Poetry of Slavery (2016)Embodied Discrimination and “Mutilated Historicity”: Archiving Black Women’s Bodies in the Huntington Collection (2020)The Cambridge Companion to American Theatre since 1945 (2021)Gender Trouble: Feminism and the Subversion of Identity (1991)The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief (2001)Judith Butler: Gender Trouble. Feminism and the Subversion of Identity, Routledge: New York 1990, 172 S. (dt. Das Unbehagen der Geschlechter, Frankfurt: Suhrkamp 1991, 236 S.) (2016)The Ethnography of Ratchet: Studying Language Practices of the Black (Queer) Middle-Class (2019)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)The Long Revolution (1961)Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (1998)In the Break: The Aesthetics of the Black Radical Tradition (2004)An Intimacy Choreography for Sexual Justice: Considering Racism and Ableism as Forms of Sexual Violence (2019)Gender and the Musical Canon (1994)The Feminist Spectator as Critic (2012)Music, Theater, and Cultural Transfer: Paris, 1830–1914 Music, Theater, and Cultural Transfer: Paris, 1830–1914 . Edited by A nnegret F auser and M ark E verist . Chicago: University of Chicago Press, 2009. x + 440 pp., ill. (2013)The Cambridge History of American Theatre (1998)The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century (2000)Bulldaggers, Pansies, and Chocolate Babies (2010)
this work references cited by second hop

References

  • 1981Blacks in Blackface: A Source Book on Early Black Musical Shows105 cited

Cited by

  • 2012The Cambridge Companion to African American Theatre55 cited
  • 2015‘To be black is to be funny’: ‘Coon-shouting’ and the melancholic production of the white comedienne15 cited
  • 2012Fragmented musicals and 1970s soul aesthetic10 cited
  • 2012The Negro Little Theatre Movement6 cited
  • 2012Slavery, performance, and the design of African American theatre5 cited
  • 2019New data, new methods? Sources on ladies’ salon orchestras in Europe, 1870-19183 cited

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