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Cited by

• 1997Passion and Fashion in Joanna Baillie's “Introductory Discourse”29 cited
• 2009Judging pictures: a case study of portraits of the Chief Justices, Supreme Court of New South Wales27 cited
• 2012Cultural Cross-Dressing: Posing and Performance in Orientalist Portraits23 cited
• 2013From Pantheon to Indian Gallery: Art and Sovereignty on the Early Nineteenth-Century Cultural Frontier20 cited
• 2004Designs on the City: John Gwynn's Plans for Georgian London19 cited
• 2009Wild Bibliography: The Rise and Fall of Book History in Nineteenth-Century Britain17 cited
• 2000Making an exhibition of her self: Mary “Perdita” Robinson and nineteenth‐century scripts of female sexuality16 cited
• 2013Carl Philipp Emanuel Bach, Portraits, and the Physiognomy of Music History14 cited
• 2016The Aesthetics of Colonialism: George Chinnery’s Portrait of Gilbert Elliot, 1st Earl of Minto, 181213 cited
• 2011Balancing acts: Picturing perspiration in the long eighteenth century13 cited
• 2012Legal Studies after the Cultural Turn: A Case Study of Judicial Research13 cited
• 2003Portraits, People and Things: Richard Mead and Medical Identity11 cited
• 2011Portraiture and Proximity: ‘Official’ Artists and the State-ization of the Market in Post-Soviet Kazakhstan9 cited