Lyric Apocalypse: Milton, Marvell, and the Nature of Events

Abstract

comptes rendus 209 a misleading impression of the Reformation as the moment of critical privation, as if its medieval past were not also constituted through a variety of crises and dislocations.In the end, Mullaney's book offers a powerful account of an Elizabethan amphitheatre technology that institutionalized the production of private perspectives in public.

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