Bookhybrid2014

Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion

17 citations0/0 files storedManchester University Press eBooks

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Renaissance Literature and Culture Visual Culture and Art Theory Shakespeare, Adaptation, and Literary Criticism

Abstract

introduction: speaking pictures? 1 1 Early modern English drama and visual culture 18 2 'in the keeping of Paulina': the unknowable image inTheWinter's Tale 64 3 'But begun for others to end': the ends of incompletion 98 4 'the brazen head lies broken': divine destruction in FriarBacon andFriarBungay 129 5 going unseen: invisibility and erasure in TheTwoMerryMilkmaids 155 Conclusion: behind the screen 183 Bibliography 202 index 227 1 rowland Buckett, detail of painted decoration of John haan's chamber organ at hatfield house (1611-12) (by courtesy of hatfield house/heritage house group) page 19

Citations in this library

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References

1977Keywords: A Vocabulary of Culture and Society 1997Paratexts: Thresholds of Interpretation 1951Minima Moralia: Reflections from Damaged Life 1995Picture Theory: Essays on Verbal and Visual Representation 1992Cheap Print and Popular Piety, 1550-1640 1995Inwardness and theater in the English Renaissance 1988Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England 2002The invention of art: a cultural history

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