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Cited by

• 1997Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK311 cited
• 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
• 2021Getting to Count50 cited
• 2005‘Death to the Prancing Prince’: Effeminacy, Sport Discourses and the Salvation of Men's Dancing41 cited
• 1993Music, Pathology, Sexuality, Beethoven, Schubert40 cited
• 2012Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology36 cited
• 1998Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East34 cited
• 2012Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex32 cited
• 1996A community likePhiladelphia29 cited
• 2009Dis-Orientations of Desire: Music Education Queer22 cited
• 2022Making a Home of The Society for Music Theory, Inc.22 cited
• 2014Queer punx: young women in the Newcastle hardcore space16 cited
• 2000Concept or Context? Teaching and Learning Balinese Gamelan and the Universalist‐Pluralist Debate16 cited
• 2014Desiring T, Desiring Self: “T-Style” Pop Singers and Lesbian Culture in China