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A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System
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A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System (2022)A Multi-Instrument Analysis of the Late 1…Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Surface and Interface Investi…Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings (2019)Photochemical Origin of the D…Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop (2019)Development of integrated inn…Hypercolorimetric multispectral imaging system for cultural heritage diagnostics: an innovative study for copper painting examination (2018)Hypercolorimetric multispectr…Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet—Fluorescence Spectroscopy, and Multispectral Imaging (2017)Spectral Behavior of White Pi…Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art (2017)Handheld new technology Raman…Complete mapping of the tattoos of the 5300-year-old Tyrolean Iceman (2015)Complete mapping of the tatto…Application of non-invasive optical monitoring methodologies to follow and record painting cleaning processes (2015)Application of non-invasive o…An integrated multi-analytical approach to the study of the dome wall paintings by Correggio in Parma cathedral (2013)An integrated multi-analytica…Organic materials in the wall paintings in Pompei: a case study of Insuladel Centenario (2012)Organic materials in the wall…Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Advances in multispectral and…Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)Non-invasive in-situ investig…Aragonite in Roman Wall Paintings of the VIII a Regio, Aemilia , and X a Regio, Venetia Et Histria (2006)Aragonite in Roman Wall Paint…Near-infrared spectroscopic imaging in art conservation: investigation of drawing constituents (2003)Near-infrared spectroscopic i…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…VERDIGRIS AND COPPER RESINATE (1970)VERDIGRIS AND COPPER RESINATENon-Destructive Spectroscopic Detection of Cobalt(II) in Paintings and Glass (1996)Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry (2008)Analysis of pigments from Roman wall paintings found in Vicenza (2003)Analysis of Roman age wall paintings found in Pordenone, Trieste and Montegrotto (2004)Raman analysis of pigments from the Egyptian Old Kingdom (2004)Investigations by Raman microscopy, ESEM and FTIR-ATR of wall paintings from Qasr el-Ghuieta temple, Kharga Oasis, Egypt (2014)Analytical chemistry in the field of cultural heritage (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)The museum environment (1978)Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Recent developments in spectroscopic imaging techniques for historical paintings - 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References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation523 cited
  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy288 cited
  • 1970VERDIGRIS AND COPPER RESINATE145 cited
  • 2003Near-infrared spectroscopic imaging in art conservation: investigation of drawing constituents96 cited
  • 2015Complete mapping of the tattoos of the 5300-year-old Tyrolean Iceman75 cited
  • 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
  • 2017Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art60 cited
  • 2019Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop54 cited
  • 2013An integrated multi-analytical approach to the study of the dome wall paintings by Correggio in Parma cathedral41 cited
  • 2006Aragonite in Roman Wall Paintings of the VIII a Regio, Aemilia , and X a Regio, Venetia Et Histria38 cited
  • 2015Application of non-invasive optical monitoring methodologies to follow and record painting cleaning processes37 cited
  • 2018Hypercolorimetric multispectral imaging system for cultural heritage diagnostics: an innovative study for copper painting examination36 cited
  • 2017Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet—Fluorescence Spectroscopy, and Multispectral Imaging

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33 cited
  • 2012Organic materials in the wall paintings in Pompei: a case study of Insuladel Centenario31 cited
  • 2019Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings30 cited
  • 2021Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography29 cited
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