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The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation
16 references·1 citing·51 second hopsampled
The northern-Italy Renaissance in a panel by Defendente Ferrari: A complete study with a multi-analytical investigation (2022)The northern-Italy Renaissance in a panel…Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan (2020)Imaging and spectroscopic dat…Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop (2019)Development of integrated inn…Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Real-time elemental imaging o…Yellow pigments based on lead, tin, and antimony: Ancient recipes, synthesis, characterization, and hue choice in artworks (2016)Yellow pigments based on lead…Effect of particle size on pigments colour (2016)Effect of particle size on pi…X-ray tomography of a soil block: a useful tool for the restoration of archaeological finds (2015)X-ray tomography of a soil bl…The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)The detection of copper resin…Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Characterisation of colourant…Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Identification of dyestuffs i…The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media (2009)The development of a gas chro…Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers (2009)Application of the Kubelka—Mu…Raman spectroscopic analysis of azurite blackening (2008)Raman spectroscopic analysis …A new methodology for comparing IR reflectographic systems (2006)A new methodology for compari…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Fiber Optics Reflectance Spec…LIGHT-INDUCED COLOUR CHANGES OF NATURAL DYES (1977)LIGHT-INDUCED COLOUR CHANGES …The Importance of Preventive Analysis in Heritage Science: MA-XRF Supporting the Restoration of Madonna with Child by Mantegna (2023)The Importance of Preventive …National Gallery Technical Bulletin (1979)A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)Dyes in History and Archaeology 41 (2023)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)The colour of ochres explained by their composition (2005)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Analytical chemistry in the field of cultural heritage (2015)UV-Vis spectroscopy (2018)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Fluorescence of Paint and Varnish Layers (Part III) (1982)Photoluminescence of the inorganic pigments Egyptian blue, Han blue and Han purple (2000)Vibrational and electronic properties of painting lakes (2008)Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork (2010)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)The Organic Chemistry of Museum Objects (1987)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample Avoiding Interferences from Inorganic Media (2009)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Painting Materials: A Short Encyclopedia (2011)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Modern analytical methods in art and archaeology (2000)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)The role of H2S in pigment blackening (2002)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)La Chimica nel Restauro: I Materiali dell'Arte Pittorica (1991)Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging (2017)Photodegradation Kinetics of Alkyd Paints: The Influence of Varying Amounts of Inorganic Pigments on the Stability of the Synthetic Binder (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Multispectral imaging of paintings (2008)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Imaging Diagnostics Coupled with Non-Invasive and Micro-Invasive Analyses for the Restoration of Ethnographic Artifacts from French Polynesia (2022)From RGB camera to hyperspectral imaging: a breakthrough in Neolithic rock painting analysis (2023)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,052 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry358 cited
  • 2013Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach169 cited
  • 2017Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique134 cited
  • 2016Effect of particle size on pigments colour127 cited
  • 2001Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings95 cited
  • 2009Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers86 cited
  • 2008Raman spectroscopic analysis of azurite blackening86 cited
  • 2009The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media83 cited
  • 2019Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop54 cited
  • 2015X-ray tomography of a soil block: a useful tool for the restoration of archaeological finds53 cited
  • 2006A new methodology for comparing IR reflectographic systems

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52 cited
  • 2014The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy45 cited
  • 2020Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan40 cited
  • 1977LIGHT-INDUCED COLOUR CHANGES OF NATURAL DYES39 cited
  • 2016Yellow pigments based on lead, tin, and antimony: Ancient recipes, synthesis, characterization, and hue choice in artworks35 cited
  • Cited by

    • 2023The Importance of Preventive Analysis in Heritage Science: MA-XRF Supporting the Restoration of Madonna with Child by Mantegna6 cited