SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Carmen Miranda, un icono de la moda del siglo XX. Estudio de materiales para la conservación preventiva de lentejuelas de uno de los turbantes de frutas de la colección del Museo Carmen Miranda (Rio de Janeiro, Brasil)
5 references·0 citing·20 second hop
Carmen Miranda, un icono de la moda del siglo XX. Estudio de materiales para la conservación preventiva de lentejuelas de uno de los turbantes de frutas de la colección del Museo Carmen Miranda (Rio de Janeiro, Brasil) (2022)Carmen Miranda, un icono de la moda del s…Identification of cellulose nitrate based adhesive repairs in archaeological pottery of the University of Melbourne’s Middle Eastern archaeological pottery collection using portable FTIR-ATR spectroscopy and PCA (2017)Identification of cellulose n…ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)ATR-FT-IR spectral collection…Images of Latin America in the body and costumes of Carmen Miranda’s stylized “baiana”: social memory and identity (2013)Images of Latin America in th…Multimethod analysis of Iranian Ilkhanate ceramics from the Takht-e Soleyman palace (2010)Multimethod analysis of Irani…Monitoring emissions from cellulose nitrate and cellulose acetate costume accessories: An evaluation of ph indicator dyes on paper, cotton tape and cotton threads (2002)Monitoring emissions from cel…Boom and bust: the American cinema in the 1940s (1998)A identidade cultural na pós-modernidade (2003)O local da cultura (2012)Cellulose Nitrate in Conservation (1988)Celluloid Objects: Their Chemistry and Preservation (1991)Plastics: Collecting and Conserving (2001)Compensation for loss: Ethics and practice in the conservation of two Schiaparelli evening coats and the replication of missing ornamental elements (2003)Naphthalene Syndrome and Vinegar Syndrome Affected Films: An International Survey of Audiovisual Conservation Practitioners (2020)The Organic Chemistry of Museum Objects (1988)THE BEGINNINGS OF TIN‐OPACIFICATION OF POTTERY GLAZES (1997)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)A Medieval Stonepaste Ceramic Production Site in Moshkin Tepe, Iran: Ceramics, Wasters, and Manufacturing Equipment (2022)Materials and technique of lajvardina ceramics from the thirteenth to fourteenth century Iran (2023)Infrared Spectroscopy in Conservation Science (2000)External reflectance FTIR dataset (4000–400 cm−1) for the identification of relevant mineralogical phases forming Cultural Heritage materials (2020)Pigments on Roman Wall Painting and Stucco Fragments from the Monte d’Oro Area (Rome): A Multi-Technique Approach (2020)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Los Angeles: The Getty Conservation Institute (2003)Portable Spectroscopy for Cultural Heritage (2021)
this work references cited by second hop

References

  • 2016ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1251 cited
  • 2017Identification of cellulose nitrate based adhesive repairs in archaeological pottery of the University of Melbourne’s Middle Eastern archaeological pottery collection using portable FTIR-ATR spectroscopy and PCA25 cited
  • 2010Multimethod analysis of Iranian Ilkhanate ceramics from the Takht-e Soleyman palace19 cited
  • 2002Monitoring emissions from cellulose nitrate and cellulose acetate costume accessories: An evaluation of ph indicator dyes on paper, cotton tape and cotton threads7 cited
  • 2013Images of Latin America in the body and costumes of Carmen Miranda’s stylized “baiana”: social memory and identity5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work