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The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)
16 references·13 citing·38 second hop
The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain) (2022)The Acoustics of Aggregation Sites: Liste…Rock Art and Ontology (2017)Rock Art and OntologyCave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response (2017)Cave acoustics in prehistory:…Reflections on the Identities and Roles of the Artists in European Paleolithic Societies (2015)Reflections on the Identities…The Lifeways of Hunter-Gatherers (2013)The Lifeways of Hunter-Gather…Rock Art In Arid Landscapes: Pilbara And Western Desert Petroglyphs (2013)Rock Art In Arid Landscapes: …Rock art and social geography in the Upper Paleolithic. 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References

  • 2013The Lifeways of Hunter-Gatherers740 cited
  • 1973Population Growth: Anthropological Implications.387 cited
  • 1980The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply]341 cited
  • 1991The Cambridge Archaeological Journal334 cited
  • 1993Australian rock art: a new synthesis166 cited
  • 2009Becoming human : innovation in prehistoric material and spiritual culture147 cited
  • 1982INTER‐SITE and INTER‐REGIONAL LINKS DURING the UPPER PALAEOLITHIC: the PYRENEAN EVIDENCE80 cited
  • 2008Archaeologies of art : time, place, and identity74 cited
  • 2011Cave Art in Context: Methods for the Analysis of the Spatial Organization of Cave Sites66 cited
  • 2017Rock Art and Ontology65 cited
  • 2017Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response65 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 2013Rock Art In Arid Landscapes: Pilbara And Western Desert Petroglyphs60 cited
  • 2015Reflections on the Identities and Roles of the Artists in European Paleolithic Societies47 cited
  • 2012The Social Dynamics of Aggregation and Dispersal in the Western Desert

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46 cited
  • 2013Rock art and social geography in the Upper Paleolithic. Contribution to the socio-cultural function of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France) from the viewpoint of its sculpted frieze30 cited
  • Cited by

    • 2023The Bacinete Main Shelter: A Prehistoric Theatre?13 cited
    • 2022Performance theory: a growing interest in rock art research7 cited
    • 2023Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia)6 cited
    • 2023Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study5 cited
    • 2023Psychoacoustics of rock art sites: the case study of the shelters Diosa I and Horadada (Cádiz, Spain)5 cited
    • 2023Music and Storytelling at Rock Art Sites? The Archaeoacoustics of the Urkosh Area (Russian Altai)5 cited
    • 2024On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa)2 cited
    • 2025Capturing Red Deer Alive in Post-Paleolithic Rock Art—Hunting, Taming, Symbolism1 cited
    • 2025From Questions to Inferences: Methodological Principles for the Use of Experimental Archaeology in Rock Art Research1 cited
    • 2026How to Conduct an Archaeoacoustic Study of Rock Art Sites through Impulse Response Measurements1 cited
    • 2026Mapping the Symbolic Structure of Palaeolithic Rock Art Using Co-occurrence Network Analysis1 cited
    • 2025Psychoacoustic Study of the Rock Art Sites of Cuevas de la Araña (Bicorp, Spain)1 cited
    • 2026Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art0 cited