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‘They don’t need us’: Affective precarity and critique in transnational media work from the margins of ‘Cultural China’
16 references·0 citing·35 second hop
‘They don’t need us’: Affective precarity and critique in transnational media work from the margins of ‘Cultural China’ (2022)‘They don’t need us’: Affective precarity…Liberalism Disavowed (2017)Liberalism DisavowedBe creative: making a living in the new culture industries (2017)Be creative: making a living …Precarious Creativity: Global Media, Local Labor (2016)Precarious Creativity: Global…The romance of work: Gender and aspirational labour in the digital culture industries (2015)The romance of work: Gender a…The Cultural Politics of Emotion (2014)The Cultural Politics of Emot…The Political Economy of Communication (2012)The Political Economy of Comm…Creative Labour: Media Work in Three Cultural Industries (2012)Creative Labour: Media Work i…Cruel Optimism (2011)Cruel OptimismThe Promise of Happiness (2010)The Promise of HappinessCritique, Dissent, Disciplinarity (2009)Critique, Dissent, Disciplina…Creative Work and Emotional Labour in the Television Industry (2008)Creative Work and Emotional L…Multitude: war and democracy in the age of empire (2005)Multitude: war and democracy …Conceptualizing Resistance (2004)Conceptualizing ResistanceThe Money Shot (2002)The Money ShotCan One Say No to Chineseness? Pushing the Limits of the Diasporic Paradigm (1998)Can One Say No to Chineseness…The Managed Heart: Commercialization of Human Feeling (1984)The Managed Heart: Commercial…HIERARCHIES, JOBS, BODIES: (1990)The Managed Heart (2012)Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram (2016)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989] (2018)Platformisation (2019)The role of digital influencers in brand recommendation: Examining their impact on engagement, expected value and purchase intention (2019)The corrosion of character: the personal consequences of work in the new capitalism (1999)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)Against Meritocracy (2017)Curating the “Third Place”? Coworking and the mediation of creativity (2017)Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship (2019)Prophecy and the near future: Thoughts on macroeconomic, evangelical, and punctuated time (2007)In the Social Factory? (2008)Resisting Neoliberalization: Communicative Planning or Counter-Hegemonic Movements? (2009)The Rise of Neoliberal Feminism (2013)Post-postfeminism?: new feminist visibilities in postfeminist times (2016)The Rise of Neoliberal Feminism (2018)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)What Is Digital Labour? What Is Digital Work? What’s their Difference? And Why Do These Questions Matter for Understanding Social Media? (2013)Gender and Creative Labour (2015)Doing Gender (1987)Rethinking authenticity in tourism experience (1999)Emotional regulation in the workplace: A new way to conceptualize emotional labor. (2000)Access: Reflections on studying up in Hollywood (2010)Setting our House in order: The workings of impoliteness in multi-party film discourse (2012)Making the Intern Economy: Role and Career Challenges of the Music Industry Intern (2013)The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms (2016)The commons: Infrastructures for troubling times* (2016)Academic Ableism (2017)What is Internalized Racial Oppression and Why Don't We Study It? Acknowledging Racism's Hidden Injuries (2010)Dimensions of Everyday Resistance: An Analytical Framework (2014)Expanding the Locus of Resistance: Understanding the Co-constitution of Control and Resistance in the Gig Economy (2021)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)A phenomenology of whiteness (2007)
this work references cited by second hop

References

  • 1984The Managed Heart: Commercialization of Human Feeling8,746 cited
  • 2014The Cultural Politics of Emotion8,090 cited
  • 2005Multitude: war and democracy in the age of empire4,670 cited
  • 2011Cruel Optimism4,453 cited
  • 2010The Promise of Happiness3,565 cited
  • 2004Conceptualizing Resistance926 cited
  • 2012Creative Labour: Media Work in Three Cultural Industries715 cited
  • 2017Be creative: making a living in the new culture industries704 cited
  • 2015The romance of work: Gender and aspirational labour in the digital culture industries527 cited
  • 2002The Money Shot324 cited
  • 2008Creative Work and Emotional Labour in the Television Industry280 cited
  • 2016Precarious Creativity: Global Media, Local Labor250 cited
  • 2012The Political Economy of Communication214 cited
  • 2017Liberalism Disavowed176 cited
  • 2009Critique, Dissent, Disciplinarity131 cited
  • 1998Can One Say No to Chineseness? Pushing the Limits of the Diasporic Paradigm128 cited

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