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Postmodern culture is the culture in which all postmodernisms operate, sometimes in synergy, sometimes in competition. If postmodernism is the project of transcending some species of modernism, which is to say some relatively self-conscious, self-privileging project of a privileged modernity. Postmodernism can be seen, then, as a retheorization of the proliferation of distinctions that reflects the underlying dynamic of cultural modernity, the need to clear oneself a space. Modernism saw the economization of the world as the triumph of reason; postmodernism rejects that claim, allowing in the realm of theory the same proliferation of distinctions that modernity had begun. The role that Africa, like the rest of the Third World, plays for Euro-American postmodernism—like its better-documented significance for modernist art—must be distinguished from the role postmodernism might play in the Third World. The contemporary cultural production of many African societies, and the many traditions whose evidences so vigorously remain, is an antidote to the dark vision of the postcolonial novelist.
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