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House of Golden Records: Portugal’s Independent Record Stores (1998–2020)
16 references·0 citing·43 second hop
House of Golden Records: Portugal’s Independent Record Stores (1998–2020) (2022)House of Golden Records: Portugal’s Indep…Labels (2020)LabelsRaw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal (2018)Raw Power: Punk, DIY and Unde…Conceptualizing curation in the age of abundance: The case of recorded music (2018)Conceptualizing curation in t…The Production and Consumption of Music in the Digital Age (2016)The Production and Consumptio…Preserving Popular Music Heritage (2015)Preserving Popular Music Heri…Popular Music, Cultural Memory, and Heritage (2015)Popular Music, Cultural Memor…Popular Music and Materiality: Memorabilia and Memory Traces (2015)Popular Music and Materiality…Keep it rocking: The social space of Portuguese alternative rock (1980–2010) (2015)Keep it rocking: The social s…An emerging eco-habitus: The reconfiguration of high cultural capital practices among ethical consumers (2014)An emerging eco-habitus: The …The vinyl: The analogue medium in the age of digital reproduction (2013)The vinyl: The analogue mediu…Standing out in the Crowd: The Rise of Exclusivity-Based Strategies to Compete in the Contemporary Marketplace for Music and Fashion (2013)Standing out in the Crowd: Th…When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)When materiality ‘bites back’…The Theory of the Leisure Class (2009)The Theory of the Leisure Cla…The Elementary Forms of Religious Life (2009)The Elementary Forms of Relig…Culture, Class, Distinction (2009)Culture, Class, Distinction“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age (2005)“Take Those Old Records off t…Distinction: A Social Critique of the Judgement of Taste. (1985)Justice, Nature and the Geography of Difference (1997)Coworking in the city (2015)Qualitative methods 1 (2015)Geographies of dissociation: Value creation, ‘dark’ places, and ‘missing’ links (2019)Dialectic of Enlightenment (2020)Performing rites: on the value of popular music (1997)The cultural turn : selected writings on the postmodern, 1983-1998 (1998)Postmodernism and Consumer Society (2001)Download or stream? Steal or buy? Developing a typology of today's music consumer (2015)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The cultural biography of things: commoditization as process (1986)Stone Age Economics (2012)Materializing digital collecting: An extended view of digital materiality (2018)Nostalgia marketing and (re-)enchantment (2019)Soundtracking: music listening practices in the digital age (2019)Changing Highbrow Taste: From Snob to Omnivore (1996)Sustainable community movement organisations (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)Repairing the circular economy: Public perception and participant profile of the repair economy in Hull, UK (2021)Digital economy to encourage sustainable consumption and reduce carbon emissions (2024)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)Constructing grounded theory : a practical guide through qualitative analysis (2006)Extended Self in a Digital World: Table 1. (2013)The digitalization of retailing: an exploratory framework (2016)Liquid Consumption (2017)Advances in Consumer Research (2025)Subculture: The Meaning of Style. (1981)Production, Consumption, Prosumption (2010)Nothing is forever: um ensaio sobre as artes urbanas de Miguel Januário±MaisMenos± (2019)Introduction: Songs that Sing the Crisis: Music, Words, Youth Narratives and Identities in Late Modernity (2020)So close yet so far: DIY cultures in Portugal and Brazil (2021)How to Conduct a Mixed Methods Study: Recent Trends in a Rapidly Growing Literature (2011)A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment (2013)“Science capital”: A conceptual, methodological, and empirical argument for extending bourdieusian notions of capital beyond the arts (2015)Frustration and aggression. (1939)Generalized expectancies for internal versus external control of reinforcement. (1966)Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)Storytelling Neighborhood (2001)Making sense of “international practices” (2011)Schooling as a Formative Political Experience: Authority Relations and the Education of Citizens (2018)Platform capitalism: The intermediation and capitalisation of digital economic circulation (2017)Is music streaming bad for musicians? Problems of evidence and argument (2020)
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References

  • 2009The Theory of the Leisure Class5,281 cited
  • 2009Culture, Class, Distinction1,370 cited
  • 2009The Elementary Forms of Religious Life515 cited
  • 2014An emerging eco-habitus: The reconfiguration of high cultural capital practices among ethical consumers348 cited
  • 2011When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization327 cited
  • 2013The vinyl: The analogue medium in the age of digital reproduction119 cited
  • 2013Standing out in the Crowd: The Rise of Exclusivity-Based Strategies to Compete in the Contemporary Marketplace for Music and Fashion85 cited
  • 2016The Production and Consumption of Music in the Digital Age77 cited
  • 2005“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age66 cited
  • 2018Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal64 cited
  • 2015Popular Music, Cultural Memory, and Heritage55 cited
  • 2018Conceptualizing curation in the age of abundance: The case of recorded music53 cited
  • 2015Popular Music and Materiality: Memorabilia and Memory Traces49 cited
  • 2020Labels48 cited
  • 2015Keep it rocking: The social space of Portuguese alternative rock (1980–2010)

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48 cited
  • 2015Preserving Popular Music Heritage43 cited
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