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TWO important retrospective print exhibitions are current at the New York Public Library and at the Metropolitan Museum. Each presents about a century's work in more or less chronological order. Each has assembled the products of an individualistic and experimental age. Each is supplied with about a hundred miniature essays in the shape of typed labels. Here the similarities end, for the Public Library is showing European and American prints, largely of the XIX century, while the Metropolitan Museum presents Italian Renaissance prints and illustrated books.
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