SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mielikuvien, ruumiillisuuden ja perinteen kohtaamispisteessä
16 references·0 citing·33 second hop
Mielikuvien, ruumiillisuuden ja perinteen kohtaamispisteessä (2022)Mielikuvien, ruumiillisuuden ja perinteen…Silencing the Other’s Voice? (2020)Silencing the Other’s Voice?Emotional Heritage: Visitor Engagement at Museums and Heritage Sites (2020)Emotional Heritage: Visitor E…Language, music, and emotion in lament poetry (2019)Language, music, and emotion …Affective arrangement (2019)Affective arrangementAn Updated Theoretical and Practical Model for Promoting Historical Empathy (2013)An Updated Theoretical and Pr…ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION (2012)ARE EMOTIONS A KIND OF PRACTI…Affect and Emotion: A New Social Science Understanding (2012)Affect and Emotion: A New Soc…Crying Shame: Metaculture, Modernity, and the Exaggerated Death of Lament (2010)Crying Shame: Metaculture, Mo…'Creating Disturbance: Feminism, Happiness and Affective Differences’ (2010)'Creating Disturbance: Femini…Inkerin Itkuvirret: Ingrian Laments (2006)Inkerin Itkuvirret: Ingrian L…Who Knows? Knowing Strangers and Strangerness (2000)Who Knows? Knowing Strangers …The Singer of Tales in Performance (1996)The Singer of Tales in Perfor…The Structure of Emotions: Investigations in Cognitive Philosophy. (1990)The Structure of Emotions: In…The musical means of sorrow : the Karelian lament tradition (1988)The musical means of sorrow :…Verbal Art as Performance (1986)Verbal Art as PerformanceTradition, Genuine or Spurious (1984)Tradition, Genuine or SpuriousDefining tradition: variations on the Hawaiian identity (1983)Ours Once More: Folklore, Ideology, and the Making of Modern Greece (1984)Genre, Intertextuality, and Social Power (1992)Rethinking authenticity in tourism experience (1999)Voices of Modernity (2003)Reflections on the Revolution in France (2018)The Audacity of Affect: Gender, Race, and History in Linguistic Accounts of Legitimacy and Belonging (2009)Anthropology and Voice (2014)The Pragmatics of Qualia in Practice (2015)Emotion Recognition From Facial Expressions and Its Control Using Fuzzy Logic (2009)Emotion Recognition as Pattern Recognition: The Relevance of Perception (2015)Emotions as Attitudes (2015)Managing Strangerhood: Young Sikh Men's Strategies (2014)Fostering the conduct of ethical and equitable research practices: the imperative for integrated knowledge translation in research conducted by and with indigenous community members (2018)Pluralistic Struggles in Gender, Sexuality and Coloniality (2020)Coping with Information Technology: Mixed Emotions, Vacillation, and Nonconforming Use Patterns1 (2015)Affective Arrangements (2017)From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion (2018)Personal narratives: Perspectives on theory and research (1989)The Place of Story in the Study of Teaching and Teacher Education (1993)Performing politics (2008)Heritage sites, value and wellbeing: learning from the COVID-19 pandemic in England (2021)Heritage, the power of the past, and the politics of (mis)recognition (2022)The affective turn in museums and the rise of affective curatorship (2022)Negotiating the Process of Historical Empathy (2014)Social perspective-taking performance: Construct, measurement, and relations with academic performance and engagement (2018)Heritage education and active learning: Developing community and promoting diversity in Turkey (2023)The Epic Hero (2005)Alliteration in (Balto-) Finnic Languages (2011)TheHomeric Hymn to Pan (2011)Affect and discourse – What’s the problem? From affect as excess to affective/discursive practice (2013)Staging atmospheres: Materiality, culture, and the texture of the in-between (2014)Trends in the Turn to Affect (2014)
this work references cited by second hop

References

  • 2012Affect and Emotion: A New Social Science Understanding1,880 cited
  • 1986Verbal Art as Performance1,278 cited
  • 2012ARE EMOTIONS A KIND OF PRACTICE (AND IS THAT WHAT MAKES THEM HAVE A HISTORY)? A BOURDIEUIAN APPROACH TO UNDERSTANDING EMOTION1,174 cited
  • 1984Tradition, Genuine or Spurious781 cited
  • 2013An Updated Theoretical and Practical Model for Promoting Historical Empathy353 cited
  • 1990The Structure of Emotions: Investigations in Cognitive Philosophy.181 cited
  • 2000Who Knows? Knowing Strangers and Strangerness113 cited
  • 2020Emotional Heritage: Visitor Engagement at Museums and Heritage Sites104 cited
  • 2010Crying Shame: Metaculture, Modernity, and the Exaggerated Death of Lament77 cited
  • 1996The Singer of Tales in Performance74 cited
  • 2010'Creating Disturbance: Feminism, Happiness and Affective Differences’46 cited
  • 2019Affective arrangement43 cited
  • 2006Inkerin Itkuvirret: Ingrian Laments20 cited
  • 2020Silencing the Other’s Voice?9 cited
  • 2019Language, music, and emotion in lament poetry7 cited
  • 1988The musical means of sorrow : the Karelian lament tradition

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited

Cited by

No citing works inside the corpus for this window.