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This chapter focuses on three novels by the Italian writer Regina di Luanto and explores how she used spatiality as a narrative strategy to reinforce her critique against hypocrisy and falsehood in post-Risorgimento Italian society. In these novels, the writer investigates the relationship between men and women, in the first two with disastrous results and death. In Ombra e luce [Shadow and light; 1893], the ties of matrimony ruin the life of a young wife, as she moves between the two main spaces that eventually tear her apart. In Un martirio [A martyrdom; 1894], a diary novel, a young wife strives to share intellectual thoughts and intimacy with an uncomprehending husband, while she suffers within the walls of a suffocating home. Finally, in Libera! [Free!; 1895], although the relationships between men and women fail, the novel presents the ideal image of an inviting home, depicted as a space where literature, ideas and intellectual thoughts are discussed among friends who share a positivistic view of the world, mixed with a profound belief in science and art as a means to create a better world.
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