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KARA FİLMİN EVCİMEN KADINI: FEMME VITALE
10 references·0 citing·24 second hop
KARA FİLMİN EVCİMEN KADINI: FEMME VITALE (2023)KARA FİLMİN EVCİMEN KADINI: FEMME VITALEThe History of Sex in American Film (2007)The History of Sex in America…Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-1968 (2004)Classical film violence: desi…More Than Night: Film Noir in Its Context (2002)More Than Night: Film Noir in…The dark side of the screen : film noir (2001)The dark side of the screen :…Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil (1999)Public enemies, public heroes…In a lonely street: film noir, genre, masculinity (1992)In a lonely street: film noir…Autopsy: an element of realism in film noir (1992)Autopsy: an element of realis…Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950 (1987)Power and Paranoia: History, …Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950 (1986)Power and Paranoia: History, …Dark Cinema: American Film Noir in Cultural Perspective (1984)Dark Cinema: American Film No…The Immediate Experience: Movies, Comics, Theatre, and Other Aspects of Popular Culture (2002)Film Noir Fascination: Outside History, but Historically So (2003)Jay Gatsby and the Prohibition Gangster as Businessman (2003)From reel to ideal: The Blue Lamp and the popular cultural construction of the English ‘bobby’ (2005)Dialectic of Enlightenment (2020)Film (Adaptation) as Translation (1992)The Whiteness of Film Noir (1997)The Effect of Film Nostalgia on Involvement, Familiarity, and Behavioral Intentions (2017)“Be Patient, Dear Mother … Wait For Me” (2009)Hegemony, popular culture and geopolitics: the Reader's Digest and the construction of danger (1996)Projections and Intersections: Paranoid Textuality in Sorry, Wrong Number (2002)The Security Aesthetic in Bollywood’s High-Rise Horror (2014)The Un-Americans (2009)Engaging Characters (2022)Film noir i kino braci Coen (2017)The Last Great American Picture Show : New Hollywood Cinema in the 1970s (2004)The Last great American picture show: new Hollywood cinema in the 1970s (2004)Materializing Film Music (2016)Western, Go Home! Sergio Leone and the “Death of the Western” in American Film Criticism (2010)Towards next-generation visual archives:image, film and discourse (2016)Virtue Through Suffering: The American War Film at the End of Celluloid (2017)Moving Pictures (1999)But We're Men Aren't We! (2007)The Cambridge Companion to Film Music (2016)
this work references cited by second hop

References

  • 1992In a lonely street: film noir, genre, masculinity291 cited
  • 2001The dark side of the screen : film noir128 cited
  • 2004Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-196869 cited
  • 1984Dark Cinema: American Film Noir in Cultural Perspective60 cited
  • 1999Public enemies, public heroes: screening the gangster from Little Caesar to Touch of Evil53 cited
  • 1987Power and Paranoia: History, Narrative, and the American Cinema, 1940-195039 cited
  • 1986Power and Paranoia: History, Narrative, and the American Cinema, 1940-195037 cited
  • 1992Autopsy: an element of realism in film noir16 cited
  • 2002More Than Night: Film Noir in Its Context15 cited
  • 2007The History of Sex in American Film13 cited

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