SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy
16 references·1 citing·39 second hop
Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy (2023)Non-Invasive Study of Pigment Palette Use…XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)XRF and reflectance hyperspec…Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Multi-analytical and non-inva…ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)ATR-FT-IR spectral collection…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate (2012)Degradation Process of Lead C…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Degradation Process of Lead C…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples (2011)Degradation Process of Lead C…Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples (2011)Degradation Process of Lead C…Far infrared and Raman spectroscopy analysis of inorganic pigments (2008)Far infrared and Raman spectr…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Diffuse reflection FTIR spectral database of dyes and pigments (2006)Diffuse reflection FTIR spect…X-rays in art and archaeology: An overview (2004)X-rays in art and archaeology…Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Non-invasive spectroscopic me…X-ray fluorescence spectrometry in art and archaeology (2000)X-ray fluorescence spectromet…Analysis of art objects using a portable x-ray fluorescence spectrometer (2000)Analysis of art objects using…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…Some Applications of Infrared Spectroscopy in the Examination of Painting Materials (1979)Some Applications of Infrared…Investigating Brazilian Paintings from the 19th Century by MA-XRF (2023)Investigating Brazilian Paint…The Characterization of Metal Soaps (2003)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Diffuse reflectance FTIR database for the interpretation of the spectra obtained with a handheld device on built heritage materials (2014)New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks (2019)National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1988)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)A review of solvent action on oil paint (2020)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Development and trends in synchrotron studies of ancient and historical materials (2012)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Materials Issues in Art and Archaeology (1991)In situ study of the Porticello Bronzes by portable X-ray fluorescence and laser-induced breakdown spectroscopy (2007)An overview on the ancient goldsmith's skill and the circulation of gold in the past: the role of x‐ray based techniques (2008)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Infrared Spectroscopy in Conservation Science (2000)External reflectance FTIR dataset (4000–400 cm−1) for the identification of relevant mineralogical phases forming Cultural Heritage materials (2020)Pigments on Roman Wall Painting and Stucco Fragments from the Monte d’Oro Area (Rome): A Multi-Technique Approach (2020)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques (2009)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)The application of LIBS for the analysis of archaeological ceramic and metal artifacts (2002)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Development and optimisation of a portable micro-XRF method for in situ multi-element analysis of ancient ceramics (2005)A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects (2008)
this work references cited by second hop

References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2000X-ray fluorescence spectrometry in art and archaeology267 cited
  • 2016ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1251 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
  • 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment113 cited
  • 2000Analysis of art objects using a portable x-ray fluorescence spectrometer112 cited
  • 2004X-rays in art and archaeology: An overview103 cited
  • 2006Diffuse reflection FTIR spectral database of dyes and pigments87 cited
  • 2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

78 cited
  • 2018Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii62 cited
  • 2008Far infrared and Raman spectroscopy analysis of inorganic pigments60 cited
  • 2018XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique54 cited
  • 1979Some Applications of Infrared Spectroscopy in the Examination of Painting Materials53 cited
  • Cited by

    • 2023Investigating Brazilian Paintings from the 19th Century by MA-XRF11 cited