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Abstract This essay offers a sympathetic Marxist commentary on Stephen Lett’s “Making a Home of The Society for Music Theory, Inc.” (2023). I explore questions of colonization and coloniality, which are viewed in literal, rather than metaphorical, terms; provide hypotheses about the political economy of contemporary US-American academic music theory, which seems to be inseparable from conflicts with composition; and meditate on theory’s political futures in both practical and broader utopian-political ways.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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