Archaeology, Emotional Storytelling, and Performance

Abstract

Archaeologists tell stories about the past through the interpretation of material remains, frequently an emotional pursuit. Even so, the profession is often represented simplistically, dispassionately, or problematically, according to perspectives on practice that have little to do with the actuality. The South Korean stage musical Return: The Promise of the Day is an example of how the representation of archaeology and archaeological fieldwork specifically have been incorporated into staging and storytelling to tell difficult stories about the past to both domestic and international audiences. The practice of conflict archaeology is represented as a means of facilitating the understanding of violent conflict across generations. This paper accounts for how Return makes use of archaeology, further showcasing the potential for representations of archaeology and archaeological practice to tell emotional stories and expand heritage audiences.

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