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Correspondence and improvisation: An autoethnographic exploration of drumming in nature
16 references·1 citing·33 second hop
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this work references cited by second hop

References

  • 1998The Human Condition12,077 cited
  • 1990Gender trouble: feminism and the subversion of identity7,707 cited
  • 1978Reproduction in Education, Society and Culture6,685 cited
  • 2008The university in chains: confronting the military-industrial-academic complex463 cited
  • 2005Deep Listening: A Composer's Sound Practice448 cited
  • 2010Listening to Noise and Silence391 cited
  • 2016Action, Criticism, and Theory for Music Education340 cited
  • 2018Humankind: solidarity with nonhuman people273 cited
  • 2000Performing Live150 cited
  • 2017The Oxford Handbook of Music Making and Leisure83 cited
  • 2019A Return to Amateurism in Music Education82 cited
  • 2009Music Autoethnographies: Making Autoethnography Sing/Making Music Personal77 cited
  • 2013I drum, therefore I am: being and becoming a drummer42 cited
  • 2017Eco-Literate Music Pedagogy37 cited
  • 2020An Ecology of Eudaimonia and its Implications for Music Education21 cited
  • 2022A Philosophy of Playing Drum Kit15 cited

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Cited by

  • 2023The Courage to Teach Free Improvisation In and Through a Graduate Music Education Class3 cited