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Heaviness: A Key Concept of Metal Music Through the Lens of Deleuzian Philosophy
11 references·1 citing·33 second hop
Heaviness: A Key Concept of Metal Music Through the Lens of Deleuzian Philosophy (2022)Heaviness: A Key Concept of Metal Music T…Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures (2018)Heaviness and the electric gu…Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos (2017)Shredding, tapping and sweepi…Song means: analysing and interpreting recorded popular song (2012)Song means: analysing and int…Musical Meaning and the Musicology of Record Production (2012)Musical Meaning and the Music…Death Metal and Music Criticism: Analysis at the Limits (2012)Death Metal and Music Critici…Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music (2012)Achieving Intelligibility whi…Heavy Metal: The Music And Its Culture (2009)Heavy Metal: The Music And It…The Establishment of the Virtual Performance Space in Rock (2008)The Establishment of the Virt…Extreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (2002)Metal, Rock and Jazz: Percept…Difference and repetition (1994)Difference and repetitionThe effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach (2025)The effects of ensemble singi…Repeated Takes: A Short History of Recording and its Effects on Music (1995)Audio Culture: Readings in Modern Music (2004)Capturing sound: how technology has changed music (2005)A Hermeneutics of Spatialization for Recorded Song (2009)The stadium in your bedroom: functional staging, authenticity and the audience-led aesthetic in record production (2010)Making Sense of Recordings (2020)Studying Popular Music (1990)Studying Popular Music (1991)Running with the devil: power, gender, and madness in heavy metal music (1993)Rock Guitar Virtuosos (2023)The Research Act: A Theoretical Introduction to Sociological Methods (1979)Considering genre in metal music (2020)What Makes Heavy Metal ‘Heavy’? (2021)What is “Heavy” in Metal? A Netnographic Analysis of Online Forums for Metal Musicians and Producers (2022)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)Toward a Global Idea of Race (2010)Consumption experience (2015)‘Shrieking soldiers … wiping clean the earth’: hearing apocalyptic environmentalism in the music of Botanist (2019)Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence (2022)Classification as Culture: Types and Trajectories of Music Genres (2008)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Understanding Performance Expression in Popular Music Recordings (2014)Form as Process: The Buildup Introduction in Popular Music (2015)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Opening Minds: Style Copies as Didactical Initiators (2015)The Distortion Paradox (2016)Zur produktionsbezogenen Perspektive bei der Analyse von Popmusik (2017)‘Insider Research’ in the Study of Youth Cultures (2005)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)Culture-specific production and performance characteristics: An interview study with ‘Teutonic’ metal producers (2021)
this work references cited by second hop

References

  • 1994Difference and repetition6,721 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 2012Song means: analysing and interpreting recorded popular song209 cited
  • 2012Death Metal and Music Criticism: Analysis at the Limits47 cited
  • 2008The Establishment of the Virtual Performance Space in Rock37 cited
  • 2018Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures34 cited
  • 2012Musical Meaning and the Musicology of Record Production24 cited
  • 2012Achieving Intelligibility whilst Maintaining Heaviness when Producing Contemporary Metal Music12 cited
  • 2017Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos10 cited
  • 2002Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience7 cited

Cited by

  • 2025The effects of ensemble singing on heaviness in metal music: Revisiting a systematic approach2 cited

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