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Devastating Dreamjobs. Ambivalence, Emotions, and Creative Labor in a Post-socialist Audiovisual Industry
16 references·0 citing·44 second hop
Devastating Dreamjobs. Ambivalence, Emotions, and Creative Labor in a Post-socialist Audiovisual Industry (2019)Devastating Dreamjobs. Ambivalence, Emoti…Precarious Creativity: Global Media, Local Labor (2016)Precarious Creativity: Global…Contemporary Identities of Creativity and Creative Work (2016)Contemporary Identities of Cr…Boundaries of journalism: professionalism, practices and participation (2015)Boundaries of journalism: pro…Screenwriting Poetics and the Screen Idea (2013)Screenwriting Poetics and the…Re-imagining crisis reporting: Professional ideology of journalists and citizen eyewitness images (2013)Re-imagining crisis reporting…Key Concepts in Creative Industries (2013)Key Concepts in Creative Indu…Emotion aside or emotional side? Crafting an ‘experience of involvement’ in the news (2011)Emotion aside or emotional si…Creative Economy and Labor Precarity (2011)Creative Economy and Labor Pr…Managing in the creative industries: Managing the motley crew (2009)Managing in the creative indu…The Politics of Cultural Work (2007)The Politics of Cultural WorkWhat is journalism? (2005)What is journalism?Pleasure at Work? Gender, Consumption and Work‐based Identities in the Creative Industries (2004)Pleasure at Work? Gender, Con…Individualization: Institutionalized Individualism and its Social and Political Consequences (2002)Individualization: Institutio…Interviewing for Social Scientists (1999)Interviewing for Social Scien…Consumption and Identity at Work (1996)Consumption and Identity at W…The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author' (1984)The Genius and the Copyright:…The Managed Heart: Commercialization of Human Feeling (1984)The Managed Heart: Commercialization of Human Feeling (1985)The Romantic Ethic and the Spirit of Modern Consumerism (1989)Valuable journalism: A search for quality from the vantage point of the user (2012)Towards a pragma-linguistic framework for the study of sensationalism in news headlines (2013)Advancing a Radical Audience Turn in Journalism. Fundamental Dilemmas for Journalism Studies (2022)Flexible Citizenship: The Cultural Logics of Transnationality (2001)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Multitude: war and democracy in the age of empire (2005)Feminist geographies of digital work (2016)Free to Work Anxiously: Splintering Precarity Among Drivers for Uber and Lyft (2016)Weapons of the Chic: Instagram Influencer Engagement Pods as Practices of Resistance to Instagram Platform Labor (2019)Objectivity as Strategic Ritual: An Examination of Newsmen's Notions of Objectivity (1972)Communication as Culture: Essays on Media and Society (1992)Mediating the Message: Theories of Influences on Mass Media Content (1995)Deconstructing Journalism Culture: Toward a Universal Theory (2007)The Handbook of Journalism Studies (2009)TWITTERING THE NEWS (2010)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Bowling alone (2000)The Forms of Capital (2002)A Multi-layered Exploration of the Diversity Management Field: Diversity Discourses, Practices and Practitioners in the UK (2010)Small businesses in the new creative industries: innovation as a people management challenge (2011)Emotional Dynamics and Strategizing Processes: A Study of Strategic Conversations in Top Team Meetings (2012)CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)Continuum encyclopedia of popular music of the world (2003)Historicizing Precarious Work: Forty Years of Research in the Social Sciences and Humanities (2018)K-pop fan labor and an alternative creative industry: A case study of GOT7 Chinese fans (2020)Streaming difference(s): Netflix and the branding of diversity (2022)The deinstitutionalization of American marriage (2004)THE LOGIC OF CONNECTIVE ACTION (2012)The Logic of Connective Action (2013)Department-level Cultures and the Improvement of Learning and Teaching (2000)Focus group method and methodology: current practice and recent debate (2006)The McGill Illness Narrative Interview (MINI): An Interview Schedule to Elicit Meanings and Modes of Reasoning Related to Illness Experience (2006)An Essay on Framing and Overflowing: Economic Externalities Revisited by Sociology (1998)Voices of Modernity (2003)Translation, Rewriting, and the Manipulation of Literary Fame (2016)In the Social Factory? (2008)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Breaking the silence: The hidden injuries of neo-liberal academia (2016)Big Policies/Small World: An introduction to international perspectives in education policy (1998)The teacher's soul and the terrors of performativity (2003)Neoliberalism, higher education and the knowledge economy: from the free market to knowledge capitalism (2005)
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References

  • 2002Individualization: Institutionalized Individualism and its Social and Political Consequences3,527 cited
  • 2005What is journalism?1,761 cited
  • 1996Consumption and Identity at Work1,235 cited
  • 1999Interviewing for Social Scientists1,196 cited
  • 1984The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author'611 cited
  • 2007The Politics of Cultural Work556 cited
  • 2016Precarious Creativity: Global Media, Local Labor250 cited
  • 2011Emotion aside or emotional side? Crafting an ‘experience of involvement’ in the news223 cited
  • 2011Creative Economy and Labor Precarity222 cited
  • 2009Managing in the creative industries: Managing the motley crew219 cited
  • 2015Boundaries of journalism: professionalism, practices and participation206 cited
  • 2013Screenwriting Poetics and the Screen Idea153 cited
  • 2013Key Concepts in Creative Industries148 cited
  • 2004Pleasure at Work? Gender, Consumption and Work‐based Identities in the Creative Industries146 cited
  • 2013Re-imagining crisis reporting: Professional ideology of journalists and citizen eyewitness images140 cited

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2016
Contemporary Identities of Creativity and Creative Work
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