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“Better place no wit can finde”: The Compiler as Author in Early Modern Verse Miscellanies
12 references·0 citing·23 second hop
“Better place no wit can finde”: The Compiler as Author in Early Modern Verse Miscellanies (2023)“Better place no wit can finde”: The Comp…The first English printed commonplace books and the rise of the common reader (2013)The first English printed com…Bound to Read: Compilations, Collections, and the Making of Renaissance Literature (2013)Bound to Read: Compilations, …Authorship as cultural performance: new perspectives in authorship studies (2012)Authorship as cultural perfor…Manuscript Commonplace Books, Literature, and Reading in Early Modern England (2010)Manuscript Commonplace Books,…Reading material in early modern England: print, gender, and literacy (2005)Reading material in early mod…The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England (2003)The Anonymous Renaissance: Cu…Shakespeare after theory (2000)Shakespeare after theoryManuscript, Print, and the English Renaissance Lyric (1995)Manuscript, Print, and the En…The Elizabethan Miscellanies: Their Development and Conventions (1975)The Elizabethan Miscellanies:…Nicholas Grimald, The Judas of the Reformation (1922)Nicholas Grimald, The Judas o…The dictionary of national biography (1890)The dictionary of national bi…The Passionate Pilgrim (1599)The Passionate PilgrimThe Archaeology of Knowledge. (1974)5. The Practice of Everyday Life (2000)The Language of New Media (2002)Constructing the Canon of Early Modern Drama (2013)Selling Shakespeare: Biography, Bibliography, and the Book Trade (2016)Crafting Poetry Anthologies in Renaissance England: Early Modern Cultures of Recreation (2020)Printed Miscellanies in England, 1640–1682: “store-house[s] of wit.” (2000)“Thus Beholde the Fall of Sinne”: Punishing Helen of Troy in Elizabethan Verse (2012)Miscellany and Collegiality in the British Periodical Press: TheHarmonicon(1823–1833) (2012)Latin Erotic Elegy and the Shaping of Sixteenth-Century English Love Poetry (2019)La autoría a debate: textualizaciones del cuerpo-corpus (una introducción teórica) (2015)The Laughing Tortoise: Speculations on Manuscript Sources and Women's Book History (2008)The Oxford Handbook of the Early Modern Sermon (2011)Reading, Writing, and Initialing: Female Literacy in Early Modern London (2015)The ‘Great Queen of Lightninge Flashes’: The Transmission of Female-Voiced Burlesque Poetry in the Early Seventeenth Century (2014)Anon is Not Dead: Towards a History of Anonymous Authorship in Early-Twentieth-Century Britain1 (2016)Julius Caesar: Tyrannicide Made Unpopular (2017)Shakespeare and Republicanism (2005)Ideas of the Book and Histories of Literature: After Theory? (2006)Shakespeare's History Plays (2012)Alternative Shakespeares (1987)The Cambridge History of the Book in Britain (1999)The Cambridge History of the Book in Britain (2002)
this work references cited by second hop

References

  • 1995Manuscript, Print, and the English Renaissance Lyric693 cited
  • 2005Reading material in early modern England: print, gender, and literacy280 cited
  • 2013Bound to Read: Compilations, Collections, and the Making of Renaissance Literature159 cited
  • 2000Shakespeare after theory86 cited
  • 2003The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England61 cited
  • 2010Manuscript Commonplace Books, Literature, and Reading in Early Modern England52 cited
  • 2012Authorship as cultural performance: new perspectives in authorship studies25 cited
  • 1975The Elizabethan Miscellanies: Their Development and Conventions18 cited
  • 1890The dictionary of national biography15 cited
  • 2013The first English printed commonplace books and the rise of the common reader14 cited
  • 1599The Passionate Pilgrim12 cited
  • 1922Nicholas Grimald, The Judas of the Reformation2 cited

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