Performativity and Event in 1960s Japan: City, Body, Memory

Peter Eckersall

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Theatre and Performance Studies Japanese History and Culture Arts and Performance Studies

Abstract

Table of Contents List of Figures Acknowledgements Introduction 1. Zero Jigen's pre-expressive utopian body: ritual theory and urban transformation 2. Butoh cine dance and the remediated sixties 3. Singing Yokoo Tadanori: Ichiyanagi Toshi, The City and the Aesthetics of Listening 4. Performing Revolution at Shinjuku Plaza 5. The Osaka Exposition: Bodies and the impossible Utopia 6. Memory and city: Port B and the Tokyo Olympics Closing: Transforming everydayness Notes Bibliography

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